On a hero’s journey, the hero often goes through a symbolic exploration of the subconscious mind. This can be represented by the hero going into water, the underworld, or a cave. For this reason, I was not surprised when Don Quixote entered a cave and explored the abyss within, emerging with an expanded consciousness.
Before undertaking a daunting task, heroes will summon strength from an outside source. Before entering the cave, Don Quixote calls upon Dulcinea for protection and guidance upon his journey into the underworld.
“O mistress of my actions and movements, illustrious and peerless Dulcinea del Toboso, if so be the prayers and supplications of this fortunate lover can reach thy ears, by thy incomparable beauty I entreat thee to listen to them, for they but ask thee not to refuse my favour and protection now that I stand in need of them. I am about to precipitate, to sink, to plunge myself into the abyss that is here before me, only to let the world know that while thou dost favour me there is no impossibility I will not attempt and accomplish.”
After Don Quixote reemerges from the cave, he relates his experience to his companions. The visions he describes are consistent with altered states of consciousness. He actually describes how he slipped into a state of reverie prior to the shift in awareness that brought on the mystical visions.
“… and as I was thus deep in thought and perplexity, suddenly and without provocation a profound sleep fell upon me, and when I least expected it, I know not how, I awoke and found myself in the midst of the most beautiful, delightful meadow that nature could produce or the most lively human imagination conceive. I opened my eyes, I rubbed them, and found I was not asleep but thoroughly awake. Nevertheless, I felt my head and breast to satisfy myself whether it was I myself who was there or some empty delusive phantom; but touch, feeling, the collected thoughts that passed through my mind, all convinced me that I was the same then and there that I am this moment. Next there presented itself to my sight a stately royal palace or castle, with walls that seemed built of clear transparent crystal; and through two great doors that opened wide therein, I saw coming forth and advancing toward me a venerable old man, clad in a long gown of mulberry-coloured serge that trailed upon the ground.”
(pp. 719 – 720)
The old man that Don Quixote encountered was Montesinos, but I could not help but seeing him as a Merlin figure. In fact, Merlin is mentioned later in the chapter as having prophesized the arrival of Don Quixote (p. 723). And the castle being made of crystal corresponds to the crystal cave of the Merlin mythology.
The last thing I want to discuss is the distortion of time associated with altered states of consciousness.
“I cannot understand, Senor Don Quixote,” remarked the cousin here, “how it is that your worship, in such a short space of time as you have been below there, could have seen so many things, and said and answered so much.”
“How long is it since I went down?” asked Don Quixote.
“Little better than an hour,” replied Sancho.
“That cannot be,” returned Don Quixote, “because night overtook me while I was there, and day came, and it was night again and day again three times; so that, by my reckoning, I have been three days in those remote regions beyond our ken.”
“My master must be right,” replied Sancho, “for as everything that has happened to him is by enchantment, maybe what seems to us an hour would seem three days and nights there.”
In addition to the distortion of time, there is some number mysticism woven in here. We have three days existing within one hour, or three comprising the one. I cannot help but wonder if this is a reference to the trinity forming the godhead (father, son, holy ghost), or the mind/body/spirit trinity within a human being. Additionally, it could be symbolic of the triple goddess (maiden, mother, crone). Regardless, we have a situation where the hero travels to the underworld, encounters a mystical being, experiences time distortion, and is presented with the number three as being connected to the mystical experience.
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