Tag Archives: 9-11

“Some Reflections on War and Peace” by Umberto Eco

TurningBackTheClock

While in Paris this past spring, I visited the famous Shakespeare and Co. bookstore. While I was there I purchased a copy of Umberto Eco’s Turning Back the Clock: Hot Wars and Media Populism. I began reading it the other day, fully expecting that I would read through the book and then write a review of it. I discovered that the book is actually a collection of essays written by Eco and after reading the first one realized that my original plan would not do this book justice. Hence, I decided to write individual blog posts specific to essays in the book.

“Some Reflections on War and Peace” is the first essay and it explores what Eco sees as the two types of warfare: paleowar, which is traditional war fought on a defined front against a clear enemy; and neowar, which is war where the identity of the enemy is uncertain and there is no front.

Eco asserts that the first Gulf War marked the advent of neowar and a shift in the general psychology and public view of warfare. It was no longer acceptable to simply wipe out an enemy, regardless of collateral damage. Global media has increased public sensitivity to war and the casualties associated with it.

The Gulf War established two principles: (1) none of our men should die and (2) as few enemies as possible should be killed. Regarding the death of our adversaries we saw some hypocrisy, because a great number of Iraqis died in the desert, but the very fact that no one emphasized this detail is an interesting sign. In any case neowarfare typically tries to avoid killing civilians, because if you kill too many of them, you run the risk of condemnation by the international media.

Hence the employment and celebration of smart bombs. After fifty years of peace due to the cold war, such sensitivity might strike many young people as normal, but can you imagine this attitude in the years when V1s were destroying London and Allied bombs were razing Dresden?

(Turning Back the Clock: pp. 14 – 15)

Eco seems very critical regarding media’s role regarding neowar. He uses 9/11 as a prime example. In this case, the media actually aided bin Laden in achieving his goals, which is to spread fear and uncertainty.

Bin Laden’s aim was to impress world public opinion with that image, and accordingly mass media talked about it, showed the dramatic rescue operations, the evacuations, and the mutilated skyline of Manhattan. Did they have to repeat this news item every day, for at least a month, with photographs, film clips, and the endless eyewitness reports, broadcasting over and over the images of that wound before the eyes of all? It is hard to give an answer. Sales of newspapers with those photos went up, television channels that offered continuous repeats of those film clips enjoyed improved ratings, the public wanted to see those terrible scenes replayed, perhaps to feed its indignation, perhaps sometimes to indulge an unconscious sadism. Maybe it was impossible to do otherwise, but the fact remains that in this way the media gave bin Laden billions of dollars’ worth of free publicity, showing every day the images he had created, sowing bewilderment among Westerners, and giving fundamentalist supporters a reason for pride.

(ibid: p. 18)

Eco makes another astute observation regarding how media influences the public’s opinion regarding war. People in the West often side with a group not because they believe in a cause, but because they oppose war as it is being presented via international media. A perfect example of this is the Israeli – Palestinian conflict. One could argue that many Palestinian supporters side with them not because they agree with their ideology, but because they feel a sense of outrage at the images which they are exposed to.

Within the ranks of the West, pro-Islamic groups would be formed not out of faith but out of opposition to the war, and new sects would arise that reject the West, Ghandians who would put down their tools and refuse to collaborate with their governments, fanatics like the Davidians in Waco who (without being Muslims) would unleash terror campaigns to purify the corrupt Western world. In the streets of Europe, processions would form of desperate, passive supplicants waiting for the Apocalypse.

(ibid: p. 25)

The later part of the essay deals with the possibility of peace on a global scale. Eco is not optimistic. He asserts that conflict is part of human nature, and while we would like to envision a return to a peaceful state, mirroring that of the Edenic state, the sad fact is that humans have never enjoyed a prolonged state of peace.

I don’t believe that on this earth men, who are wolves preying on their fellow men, will attain global peace. Basically, Fukuyama was thinking about this peace with his idea of the end of history, but recent events have shown that history repeats itself, and always in the form of conflict.

(ibid: p. 29)

While this view of war and peace seems dismal, Eco ends the essay on a note of optimism. While global peace may never be possible, peace on a local level is certainly within our grasp. And I would augment this by asserting that if enough people worked towards local harmony, this could have a rippling effect across a wider plane.

Our only hope is to work on local peace.

(ibid: p. 30)

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“In The Shadow Of No Towers” by Art Spiegelman

ShadowNoTowersOn the anniversary of the September 11 attacks, I thought it appropriate to reread Art Spiegelman’s graphic novel In The Shadow Of No Towers. Spiegelman is most famous for his Maus series. Several years ago, I had the privilege of attending a talk where Spiegelman explained his reasons for writing No Towers which made a tremendous impact on me.

The book is not only a personal memoir of his experience of being in New York City during the attack, but it is also a strong social criticism on the US government’s actions following the attacks. He accuses the Bush administration as using the tragedy as a way to justify their agenda.

The structure of the comic strips is intentionally chaotic, creating a sense of confusion in the reader, where one stares at the page, not knowing where to start or where to turn next. Essentially, Spiegelman uses the comic-strip genre as the perfect medium to instill the reader with the sense of anxiety and confusion that he experienced.

There is no question that our world changed after September 11, 2001, and we have adapted to this new world. Many of us, like Spiegelman, have a sense that the world as we know it is coming to an end. So, I suppose it’s apropos to conclude with a quote from Art himself: “I still believe the world is ending, but I concede that it seems to be ending more slowly than I once thought … so I figured I’d make a book.”

Click here to purchase this book from Amazon, or go and visit a local independent bookstore.

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