December 18, 2018 · 11:05 am
I have not felt the need to write about the previous issues in this arc, but this one has a section I found very interesting and thought it worth sharing.
In this book, Cain is the archetype of the first murderer. He is, essentially, murder itself. But Cain is transported to another dimension of existence where an unformed entity informs Cain that he is not, in fact, the archetype of the first murder, but something else, instigating an existential crisis on a cosmic level.
Unformed: … There is a scenario. It begins with two brothers. Two holy gifts. One sacrifice is deemed superior, and so–
Cain: — So I killed him. I am murder! I’m the patron saint of killers!
Unformed: No. That is a flawed understanding of the metaphor. Your brother remembered it more accurately.
Cain: That bumbler! That sweat-bladder! That craven! the first victim–that’s his role! He’ll never be any more than–
Unformed: What gifts did you offer, Cain…? In the classic paradigm.
Cain: W-we… we were farmers. I offered the fruits of the land. I…I toiled and worked my fingers to the bone! While he–he–
Unformed: He was a raiser of stock. He slaughtered the first beast, Cain. Does that sound like the act of a coward?
Cain: I… B-but…
Unformed: His hands were red long before yours. You must undress yourself of false positives if you are to find favor in the new realm. You must reassess all your muddled mysteries before the chrysalis opens. You are not the first killer, Cain of the mark, Cain the wanderer, Cain the lost. You are merely the first to resent. But you are far from the last.
I found this an amazing interpretation of the Biblical tale. And it makes a lot of sense. Cain was not the first to take a life. Abel was, being the first to kill an animal, one of God’s living creations. And Cain resented Abel’s favor, and resentment breeds anger, envy, jealousy, rage… an entire Pandora’s Box of social ills. How many of our problems stem from resentment? Especially resentment that is kept hidden, which grows in the darker recesses of the mind. Resentment is so toxic, it can ultimately destroy almost anything.
I confess I was ready to give up on this series, but this last installment has rekindled my interest again. Hence, I will read on! Thanks for stopping by and sharing in my musings. Have an inspirational day.
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February 6, 2015 · 12:57 pm
My mother groand! my father wept.
Into the dangerous world I leapt.
Helpless, naked, piping loud;
Like a fiend hid in a cloud.
Struggling in my father’s hands,
Striving against my swaddling bands;
Bound and weary I thought best
To sulk upon my mother’s breast.
For a short poem of only eight lines, there is a lot going on here and there are multiple ways that this poem can be interpreted. First, we can take the poem at face value. During the Industrial Revolution at a time when poverty was rampant, having another mouth to feed would have certainly been a hardship for two parents. In addition, I can only suspect that the infant mortality rate was quite high, which would add another level of sorrow for a child.
There are some images that lead me to consider another interpretation of this poem. In the first stanza, the baby is described as “a fiend hid in a cloud.” And in the second stanza, we have images of bondage and struggling against the father. This leads me to wonder if the infant in this poem is a symbol for Lucifer, an angel who struggled against god, was cast down into this “dangerous world,” and is ultimately bound here. If one considers Lucifer to be another manifestation of the Prometheus myth, then the images of bondage definitely work to support this idea.
Finally, there is one other possible interpretation; that the man and the woman are Adam and Eve, and the infant is their first-born son, Cain. Being the first human born into the world according to Judeo-Christian belief, he would have been born into a world infinitely more dangerous than Eden. Cain would ultimately murder his brother, Abel, and spend the rest of his days in sorrow. It is also worth noting that Adam and Eve are depicted as weeping and mourning the death of Abel, so the imagery of the groaning mother and weeping father can be tied into this interpretation.
Blake’s poems are so rich and fascinating; I am always in awe at how he managed to include so much in so few words. Hope you enjoyed this post. Have a great and inspired day!!
Filed under Literature, Spiritual
Tagged as Abel, Adam, analysis, angels, bondage, books, Cain, criticism, Eden, English, Eve, Garden of Eden, god, industrial revolution, infant, interpretation, Judeo-Christian, literature, Lucifer, mythology, myths, parents, poems, poetry, poets, poverty, Prometheus, reading, review, romanticism, songs of experience, sorrow, spirituality, stanzas, symbol, symbolism, William Blake, writing
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