It has been four long years since the last issue of Chilling Adventures of Sabrina rolled off the press. So getting my hands on this new issue was a Halloween treat come early. The new issue picks up where Issue #8 left off, where Sabrina must balance the scales by sacrificing a human life to compensate for raising her boyfriend, Harvey Kinkle, from the dead (and there are other morbid twists here that I will intentionally leave out).
While there is so much for a horror fan to enjoy in this series (gore, cannibalism, demons, bestiality, just to name a few), and the artwork is eerily exquisite, for me, it is the quality of the writing that raises this comic above the realm of pulp and places it squarely into the category of artistic expression. To back up my claim, I need only quote from the opening pages of this issue.
We are entering the hours of the wolf. The hours between midnight and dawn… The hours when sleep is most profound, when nightmares are most real… The hours when the sleepless are haunted by their most profound fears… when ghosts and demons are at their most powerful… when the most unspeakable crimes are planned, when the darkest conspiracies are plotted… when the most terrible bargains are made; when witch-wishes are whispered aloud… Then comes the dawn. And with it, a clarity and sense of mission.
I must again emphasize that this is a very dark and very mature comic. If you are expecting a wholesome Archie comic like you remember from your younger days, you will be in for a real shock if you read this. But if you like reading dark, creepy, edgy stories during the Halloween season, then this is a must-read.
So The Chilling Adventures of Sabrina is one of my favorite comics, and if you search the site, you should find a review of every installment. The comics are nothing short of amazing, both in story content and artwork. Which is why I am thrilled that later this month, Netflix will be releasing their first season of Chilling Adventures.
I can only imagine that since this is not a network television production, they will be able to explore the darker dimensions in the same way that Roberto Aguirre-Sacasa did in his graphic series (note – Aguirre-Sacasa is also involved in the TV series). If you are a horror buff and this is not yet on your radar, you need to take note. I personally have very high expectations.
As a good fan boy, I watched the trailers, which got me even more excited. Here are links to the standard and extended trailers. Check ’em out and let me know what you think.
Since this is probably my favorite graphic tale on the shelves these days, it goes without saying that I was pretty excited to hear that it is also being developed into a television series. According to the studios:
“‘The Chilling Adventures of Sabrina’ reimagines the origin and adventures of ‘Sabrina the Teenage Witch’ as a dark coming-of-age story that traffics in horror, the occult and, of course, witchcraft. Tonally in the vein of ‘Rosemary’s Baby’ and ‘The Exorcist,’ this adaptation finds Sabrina wrestling to reconcile her dual nature — half-witch, half-mortal — while standing against the evil forces that threaten her, her family and the daylight world humans inhabit.”
Anyway, this issue continues to explore the darkest corners of human nature, including incestuous thoughts that Sabrina’s resurrected father entertains. But for me what makes this issue, and the series as a whole, most interesting is the incorporation of mythology and occult philosophy.
As a back story, Sabrina performed an act of necromancy to raise her dead boyfriend, Harvey. Unbeknownst to her, she actually resurrected her dead father in the form of her boyfriend. Sabrina’s aunts summon psychopomps to ferry the resurrected soul back to the realm of the dead. “Psychopomps are creatures, spirits, angels, or deities in many religions whose responsibility is to escort newly deceased souls from Earth to the afterlife. Their role is not to judge the deceased, but simply to provide safe passage. Appearing frequently on funerary art, psychopomps have been depicted at different times and in different cultures as anthropomorphic entities, horses, deer, dogs, whip-poor-wills, ravens, crows, owls, sparrows and cuckoos.” In this story, the psychopomps are visually depicted as cerebral jellyfish, sort of brains with tentacles, which is interesting when one considers that Carl Jung asserted that “the psychopomp is a mediator between the unconscious and conscious realms.” (Source: Wikipedia)
The installment ends on a dark and foreboding note. Sabrina’s cousin, Ambrose, reminds her of a basic tenet in the mystical arts, that every act has its consequence and the cost of the act must always be paid in full.
“Everything must be paid for, cousin… including Harvey. You ultimately ripped Harvey from his grave… so now you must send someone else to their premature death. Put plainly… you’re going to have to kill someone, Sabrina.”
Everything we do has a consequence, and this should be remembered at all times when we deal with others in the world. Nothing that we do is free from impunity. This is a natural law from which there is no avoidance.
Thanks for stopping by, and keep reading challenging stuff.
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It has been a full year since the last issue of Sabrina came out, probably because Roberto Aguirre-Sacasa was busy writing for the television show “Riverdale” (which I watched with my daughter and is quite good). Although it was a long wait, it was well worth it. The quality of this comic, in terms of both writing and visual artistic style, sets it in a class by itself.
Essentially, this is the back story concerning Sabrina’s father, Edward Spellman, who is resurrected and inhabiting the body of Sabrina’s boyfriend, Harvey Kinkle (a little Electra complex happening here). Edward recounts his initiation into the dark arts, his rise to power in the Church of Satan, and how he came to be imprisoned in the limbo dimension.
This installment is dark and disturbing on multiple levels. The content is macabre, the imagery intense, it is psychologically distressing, and the tale leaves the reader with a sense of tension and foreboding which is stoked by what is left unsaid. For truly, it is the unknown possibilities that stir the deepest fear within us, and Aguirre-Sarcasa is a master when it comes to leaving just enough of the story hidden to evoke the most profound terror in the reader.
Readers should be warned that this is not a comic for the timid. But if you love the macabre and long to peer into the stuff of nightmares, then get thee to the store and buy a copy.
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It’s been a year since the last Afterlife with Archie comic, and this one hits you like an unexpected sucker punch. It reads like a Shakespearean tragedy, where Reggie, the protagonist of this installment, is overcome with guilt over his actions that ultimately led to the current crisis. He struggles with thoughts, memories, questioning his basic humanity and grappling with the fact that he might be a sociopath, void of human emotion and unable to feel empathy or compassion.
After confessing to Kevin, Reggie leaves the group and goes off on his own, in an attempt to atone for his sins and shed the guilt that is festering within. But at the final moment, when it comes time to do what he needs to do, something happens which causes him to fully embrace his dark side. He becomes the sociopath he feared he might be. It is that poignant, tangible instance where an individual crosses the threshold to become the thing he loathes.
We have seen this archetype so many times before in literature, but it never ceases to fascinate me. What is it that finally causes someone to relinquish their hold on the last thread of their humanity?
Reggie says that we all envision ourselves as the hero, as the one doing the right thing. But sometimes we lose sight of what is truly right and the path that seems clear is the one that leads us to our ultimate demise.
I think: “Everyone is the hero of their own story.” You don’t find out who you really are until the world tests you…
While this is a brilliant story and beautifully illustrated, it is a very dark and disturbing tale. It forces us to look at ourselves in a way that is not comfortable. But in my opinion, that is the purpose of art, to make you uncomfortable and to challenge your established beliefs about the world and yourself.
This graphic series never ceases to impress me. The writing and artwork are both so outstanding that I’m kind of shocked at just how great it is. It is nothing short of graphic horror at its finest.
In this episode, the survivors from Riverdale are holed up at the Bradbury Hotel in Vermont (a nod to Ray Bradbury?). Much of the installment features Archie sitting at the hotel bar, conversing with the ghost of Jughead. It is a clear allusion to The Shining. In fact, this issue is full of references to classic horror films and books, as well as to psychological novels like Lord of the Flies and Heart of Darkness which explore the darker realms of the human psyche.
I cannot stress enough just how good the writing is in this graphic novel. Roberto Aguirre-Sacasa weaves a tale as masterfully as anyone. I literally found myself hanging on every word. But the real genius is the way the story is structured. We have the beginning, where Archie converses with the “ghost” of Jughead, which in reality is Archie creating a separate entity out of his own psyche with which to talk out his internal conflicts and fears. The story then transitions into reality, where Archie is guided by his mother back into the presence of the others. The episode climaxes with a blending of the psychological and the physical, expressed through actual events interspersed with snippets of thought and memory. It is so well-crafted, I am inspired to read it again as I write these words.
This series is so good and works on so many levels, I highly recommend it to everyone, even if you are not a fan of graphic horror, because the craftsmanship of the writing and artwork are both so strong. If you’ve read any of this series, please feel free to share your thoughts.
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