This was a six-issue arc that I just finished reading. I decided to write about the arc in a single post, as opposed to writing about each issue, mainly because it didn’t warrant that level of attention. (Although, I did write about the first issue when it came out.)
Overall, I found the series entertaining, but that’s because I am a huge Alice Cooper fan. The other characters from Chaos I could not really relate to, and actually, I found them to be somewhat annoying. Definitely a Chaos comic is not something that I would regularly read. Still, I liked the themes of being an outcast, having to face one’s fears, and so forth. These are themes that are part of Alice’s music, so they resonated with me in this comic series.
I’ll include a quote from the final issue in the series that nicely sums up my attraction to Alice Cooper’s music.
I used to play your stuff as loud as I could. It scared me, y’know? Monsters and demons and nightmares and… all the fun scary stuff. But underneath it all there was something else… there was someone who understood… what it was like to be an outsider. What it was like to be a freak. You showed us it was okay to be afraid. And that we could control our fears.
I stopped into the local comic store on the way home from work yesterday, and my friend who owns the store had put aside this new Alice Cooper comic for me, knowing that I am a big Alice fan. So of course, I bought it, even though I had no idea who or what Chaos was.
I found this comic to be just OK. Certainly, nothing like Neil Gaiman’s Alice Cooper comic (which is a must read, imho). This one, has some cool looking demonic characters, and it seems as if they will be attempting to kill the Coop, but otherwise, I closed the cover thinking I really didn’t care too much about this. I suppose if I was familiar with the Chaos graphic series, this would be more interesting for me. Anyway, because it’s Alice, I’ll continue reading it, but unless it turns out to be something incredible, I probably won’t be taking to time to blog about them. As such, if you see a subsequent post, you can assume that this arc has taken a turn for the better.
This is a stand-alone issue done by a different writer and artist (Joe Harris and Eman Casallos did the first five issues). I loved it, but it is definitely a niche comic. If you are not an Alice Cooper fan, you are probably not going to enjoy this much. The premise is that Alice is doing a tour through the Nightmare Place but is plagued by a specter, who is some kind of psychotic clown demon seeking to shatter Alice’s sanity. There are definite allusions to Cooper’s “From the Inside” album, which I think is a nice touch. But again, if you are not a Cooper fan, then this would mean nothing to you.
I do not know if this comic is going to continue. There is a sense of finality about it, and there is no mention of an issue 7. I suppose all dark things must come to an end. I’ll inquire next time I visit my local comic store.
Happy nightmares, and keep on reading!
This issue concludes the story tale that began with the first issue. I really don’t have a whole lot to say about it, other than I liked it. It was darkly funny and graphically engaging, and it concluded nicely. In addition, it sets up well for subsequent tales (since I saw at the end of the comic that issue #6 is already planned, I can safely assume that this is continuing). Bottom line is this is a fun comic. Nothing really mind-boggling, but if you like rock and roll and if you are an Alice Cooper fan, you’ll definitely enjoy it. Issue #6 would be a good place to jump in if you are not following this yet.
May all your nightmares be thrilling and chilling!
Last night I watched “Good to See You Again, Alice Cooper” at a friend’s house. The film documents the infamous 1973 Billion Dollar Babies tour and is interspersed with comedic shorts. Since I had issue 3 in my stack of things to be read, I couldn’t resist bumping it to the top of the pile.
The comic opens with scenes from a concert at the Philadelphia Spectrum in 1975, which stirred memories of going to concerts in the 70’s, a much more Dionysian era.
In times past, this was your scene, your church, your glory. You drove a crowd into a frenzy, nightly. Then called them back to do it again and again. All carefully designed and planned, a delicate mix of the macabre and the theatrical… the dark, and the delightful… all while walking a line between what was real, and what was show… and what was both to a delicate, deliberate degree.
For me, this perfectly captures the experience of an Alice Cooper performance and what defines stage performance as art. It is the blending of the real and the imagined. You have actual individuals on a stage, and we then project our hopes and fears onto them based upon their actions (act being the root of the word). The fact that real people are before us allows us to suspend belief in a way that film can never quite accomplish. It’s why a Shakespeare play is always better than a film adaptation.
So far, I am enjoying this series. The Alice Cooper persona lends itself well to the graphic novel genre. As a bonus, here’s a clip from the film I watched last night. If you’re an Alice Cooper fan, you should check out the film. Rock on!