Look, this is not a good country for gods. My people figured that out early on. There are creator spirits who made the earth and so we say thank you. But we never built churches. The land was our church. It gave us salmon and corn and buffalo, and wild rice. You follow that river for a way, you’ll get to the lakes where the wild rice grows. You go far enough south, there are orange trees, lemon trees, and those squishy green things… avocados. What I’m saying is that America is like that. It’s not good growing country for gods. They’re like avocados trying to grow in wild rice country.
It’s a strange paradox that a country with a strong fundamentalist movement would not be fertile ground for gods. To me it seems more like we choose to collectively idolize the wrong things, or choose our gods for the wrong reasons. We love our distractions, we love our teams, we want to be a part of a community, we want to be freed from our guilt and shame, and so on. America is a country of “God, Guns, and Guts.” Personally, I have a difficult time reconciling those three things in my life.
There is a palpable feeling that we are on the cusp of a major global shift, that this is the “moment of the storm.” It will be curious to see how things play out in the next few years.
The more Hellboy I read, the more I appreciate the quality and depth of these graphic novels. This volume is brimming with literary and occult references: H.P. Blavatsky, the kabbalah, the tetragrammaton, Edgar Allan Poe’s “The Conqueror Worm,” and Samuel Taylor Coleridge’s “Rime of the Ancient Mariner,” just to name a few. So while the books can be enjoyed solely for the entertainment value and the artwork, there are also layers of references and symbolism that deeper readers will find engaging.
In the book, the conqueror worm becomes a symbol for the cyclical decline of the human race, out of which a new race of humans will ultimately evolve.
… and we are all to be nothing but food for a conquering worm. It’s true. The worm is ringing down the curtain on the human race. For a while now all will be gravel and smoke. But look back to the beginning. Mankind was born out of that kind of smoke. The first race of man, the pre-human Hyperboreans… and that was mankind’s golden age… And when the polar ice crushed that world, a new race of man raised itself up from the beasts. The second race. Human… Atlantis. Lemuria. Sumeria. Babylon. Human civilizations come and go, but the human race has endured. Down long, hard centuries…
(pp. 196 – 197)
A symbol that I find very fascinating is the crossroads, and Mignola uses it nicely in this text.
You are now standing at the very crossroads of your life. And all your roads lead to strange places.
This speaks to me on a personal and global level. From a personal perspective, I feel like I am at one of those points in my life where things are changing, and my life, stable for many years, is now filled with uncertainty and disruption. Not that this is bad, in fact it is good, but it is strange. And on the global level, I sense that the world is at a crossroads, that our entire reality is about to change, and we will all be thrust into a “strange place,” regardless of which road we collectively traverse. These are strange days, indeed.
So like a lot of you out there, I love “Stranger Things.” The Netflix series is incredible, so of course, when I saw they were publishing comics based upon the series, I had to read them. Thankfully, so far, they have not been a rehash of the show, but have explored missing components in the storyline.
This recent arc is a four-issue series that is basically a prequel to the Netflix show. Since I knew there would only be four issues, I waited until I had them all so I could binge-read them in a single sitting (which is what I did). The four installments follow the story of another young person in the Hawkins Laboratory, referred to as Six. Six’s power is that she gets glimpses of the future, and it works nicely since some of her visions include things about Eleven and the events that transpire in the show. The artwork is good, and the story moves along nicely.
There is nothing mind-bending or earth-shattering about these comics, but they are a fun and quick read, and if you are a fan of the Netflix series, you’ll enjoy reading them. My guess is that they will likely publish them all together as a single trade book, but me, I figured I might as well get the installments and read them now.
That’s it. Thanks for stopping by, and keep reading.
I didn’t write about the last couple issues, not because they weren’t great (they were!), but because they didn’t include any quotes that I thought were worth looking at more closely. But this one certainly did.
Early in this issue, Shadow is entering the realm of the dead, after being sacrificed on the World Tree. He meets a cat woman, who seems to be some sort of spirit guide in the underworld. When Shadow inquires about her nature, her response is very intriguing.
Shadow: What are you? Who are you people?
Cat-woman: Think of us as symbols — we’re the dream humanity creates to make sense of the shadows on the cave wall.
This immediately made me think of Plato’s allegory of the cave from The Republic. Everything we perceive in this reality is but a shadow of a form that exists in another plane of existence. And we cannot comprehend the forms in their true essence, so we must approach them through the use of symbolism, which allows our subconscious mind fleeting glimpses of understanding, impressions of what thrives beyond our limited scope of awareness.
I know this is heavy stuff, and Gaiman’s work is very complex. But that said, he is a master storyteller, so he presents heady material within the structure of fun and imaginative tales.
That’s all I have to share for today. Thanks for stopping by.
Starting to catch up on my backlog of reading. This arc is already on issue #4, so I’m a little behind, but that’s OK.
This new arc in the American Gods saga continues where “My Ainsel” left off, and is classic Gaiman, steeped in mythology. I only need one example to sum up the gist of this issue.
In the god business, it’s not death that matters, it’s the opportunity for resurrection.
The death of a god is required for the renewal of the cycle. Osiris, Jesus, Mithras, the list goes on. One need only refer back to Frazer to understand that this is a dominant trope in mythology.
Not much else to share on this. Thanks for stopping by, and keep reading cool stuff.