This issue, as with all the previous ones, is steeped with symbols. But I would like to focus on one in particular: the carousel.
What is it that draws people to a carousel? It is not a thrill ride, nor does it take you up to heights where you can look out across vast vistas. It just slowly goes around and around while carnivalesque calliope music is pumped out in an endless loop.
At the end of this installment, Shadow climbs aboard a carousel populated with mythical animals. The lights, the music, and the circular movement coax Shadow across the threshold of consciousness, resulting in a transcendent experience.
The rhythm of the “Blue Danube” waltz ripped and sang in his head. And for a heartbeat Shadow was a child again, and all it took to make him happy was to ride the carousel. He stayed perfectly still, riding his eagle-tiger at the center of everything, and the world revolved around him. Shadow heard himself laugh over the sound of the music. He was happy. It was as if the last thirty-six hours had never happened, had evaporated into the daydream of a small child riding the carousel at Golden Gate Park, his mother watching him, proudly hoping that the music would never stop, the ride would never end. Then the lights went out and Shadow saw the gods.
The carousel is symbolic of a mystical circle, a gyre with no beginning and no end. The animals represent the myths and symbols that populate our collective consciousness, which circle continuously throughout our history. And as you go around and around, in the cycle of life-death-rebirth, you eventually attain the childlike bliss and become aware of the divine presence.
As I meditate on this imagery, I cannot help but feel the desire to find a carousel and take a ride. I suspect my next spin will be quite different from all my past experiences.
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