Let me confess that we two must be twain,
Although our undivided loves are one:
So shall those blots that do with me remain,
Without thy help, by me be borne alone.
In our two loves there is but one respect,
Though in our lives a separable spite,
Which though it alter not love’s sole effect,
Yet doth it steal sweet hours from love’s delight.
I may not evermore acknowledge thee,
Lest my bewailed guilt should do thee shame,
Nor thou with public kindness honour me,
Unless thou take that honour from thy name:
But do not so; I love thee in such sort,
As thou being mine, mine is thy good report.
The essence of this poem is expressed in the first three words: Let me confess. The speaker is confessing that he has done something wrong, the result of which is the separation of the two lovers. This sentiment is echoed in line 10, where he mentions guilt and shame.
As this is another of the fair youth sonnets, where Shakespeare is expressing his love toward a young man, I am curious as to what it was that the speaker did which would have caused such a public disgrace that the two could no longer be seen together. I cannot find any hints in the text as to what might have happened. But the emotion is clear. There is regret on the part of the speaker for his part in the separation, a feeling that too many of us have experienced in our past failed relationships.
It’s been a year since the last Afterlife with Archie comic, and this one hits you like an unexpected sucker punch. It reads like a Shakespearean tragedy, where Reggie, the protagonist of this installment, is overcome with guilt over his actions that ultimately led to the current crisis. He struggles with thoughts, memories, questioning his basic humanity and grappling with the fact that he might be a sociopath, void of human emotion and unable to feel empathy or compassion.
After confessing to Kevin, Reggie leaves the group and goes off on his own, in an attempt to atone for his sins and shed the guilt that is festering within. But at the final moment, when it comes time to do what he needs to do, something happens which causes him to fully embrace his dark side. He becomes the sociopath he feared he might be. It is that poignant, tangible instance where an individual crosses the threshold to become the thing he loathes.
We have seen this archetype so many times before in literature, but it never ceases to fascinate me. What is it that finally causes someone to relinquish their hold on the last thread of their humanity?
Reggie says that we all envision ourselves as the hero, as the one doing the right thing. But sometimes we lose sight of what is truly right and the path that seems clear is the one that leads us to our ultimate demise.
I think: “Everyone is the hero of their own story.” You don’t find out who you really are until the world tests you…
While this is a brilliant story and beautifully illustrated, it is a very dark and disturbing tale. It forces us to look at ourselves in a way that is not comfortable. But in my opinion, that is the purpose of art, to make you uncomfortable and to challenge your established beliefs about the world and yourself.
Just as I was thinking about discontinuing reading the Magneto series, I was reminded of how good it is and how thought-provoking the writing is. This issue is excellent and explores something I find fascinating: how stories affect our concept of reality.
Stories, when repeated, become part of the fabric of our collective consciousness. They teach us things about ourselves and build a bond which helps hold our society together. On a level, we know that these are just stories which, although fiction, express universal truths regarding the human experience. But sometimes, as this comic points out, people begin to accept these stories as facts which lead to the birth of urban legend, and in more extreme cases, self-deception.
What is the appeal of ghost stories? Gathering around a darkened room… speaking in whispers… recounting the tales of monsters that lurk in shadows. Is there comfort there? The reminder that… while we speak of the dead… we are all truly alive, or is it purely for the thrill? The pumping heart… the racing blood… the trembling flesh. Among these tales of terror… the “true” ghost story is among the most offensive. “Listen,” you say. “This is what happened to me.” You know the entire time that your every word is a lie… and your audience realizes the same… although they force themselves to believe. And so it is the ghost stories we tell ourselves… when no one else is listening… that are the most egregious. Lies for our own benefit. “This really happened to me.” Lies we force ourselves to believe.
This hit painfully close to home. When I was younger, I lied to myself as a way to justify my actions and to absolve myself from guilt and shame. In these stories I forced myself to believe I was the hero. I twisted history to view myself as making the right decisions, to validate the choices I made, to make it easier to live with myself. It was a coping mechanism for me and one that I suspect many people still rely upon. It is painful and difficult to look at yourself and judge your actions honestly, but it is important to do so. This is the only way that you can grow as an individual.
As you know, I love stories, but I must be careful not to allow stories to distort my view of reality. It is appropriate to use stories as a way to interpret reality, but it can be a slippery and dangerous slope when we allow stories to define our reality.