Tag Archives: hellboy

Hellboy Omnibus Volume 1: Seed of Destruction

So over the years, I have read numerous off-shoot and stand-alone issues of Hellboy, but had not read the primary arcs, which was why I was excited when I heard they were publishing an omnibus series containing the complete saga. This first volume contains five stories, as well as some artist sketches and a little bit of history about the development of the characters and story. The stories are brimming with material that interests me: paranormal investigation, the occult, conspiracy theories, mythology, social criticism, and so forth. And the great storytelling is augmented with artwork that fits well with the overall theme. Also, what is so cool about this book is that Mike Mignola is both writer and artist, an impressive accomplishment.

While all the stories in this volume are great, I want to focus on the last one, “Almost Colossus,” which explores concepts of God, science, the relationship between creator and creation. It’s kind of like a reworking of the Frankenstein story.

Anyway, couple quotes that are worth sharing.

“Brother, you think these humans are our betters. Not so, believe me. We two are the triumph of science over nature. Mankind to us should be like cattle, ours to use for whatever purpose we decide. We are not monsters, but the future and the light of the world!”

(p. 304)

Here we have a classic expression of hubris. The created, or creature, begins to feel superior to the creator, and employs scientific logic to back up the claim. I see this as symbolic of the human impetus to feel godlike through the acquisition of knowledge and power. And not just equal to God, but greater than God.

“Today the light of the world will be born again, and from this day forward mankind will bow and scrape before the God of Science.”

(p. 318)

This is a definite reference to the Prometheus myth, as well as the myth of Lucifer as the light bearer. Science has replaced God for many people in this age. And although I consider myself a spiritual person, and have faith in a divine consciousness, I confess that I find myself irritated at people who disregard scientific evidence because it conflicts with their established religious beliefs. As much as I hate to admit it, I too often bow before the God of Science.

While this book has challenging ideas woven in, it is still a fun and entertaining read. If you are a fan of the graphic novel genre and have not read Hellboy, I highly recommend checking it out.

Thanks for stopping by, and have an incredible day.

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Merry Solstice! Hellboy: Winter Special 2018

I enjoy the Hellboy Winter Specials, particularly because I like winter ghost tales, and the Specials usually contain several stand-alone vignettes that make for a fun read. This issue has three stories. The first two I liked; the third, not so much. But I wanted to share a passage from the second vignette entitled “Lost Ones” which I liked.

“We are gathered here, in the core of the woods, in the dead silence of the coldest night of winter… to guarantee the fertilizing of Nature and the birth of new life… and to protect our land from the evil spirits that might come to possess and poison our crops. The winter has been long and harsh, but with our help it will give place to the abundance of spring.”

I liked this passage because it draws on the imagery of the Solstice. On the longest night of the year, I like to shift my spiritual focus to the coming of spring, to the shift from darkness to light, and from death to regeneration. It marks a somber time of the year, but one that holds the seeds of promise.

May you have a blessed holiday in whatever tradition you embrace.

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“Bishop Olek’s Devil” by Mike Mignola

On a recent visit to the local comic store, I was given a free copy of an older Hellboy issue which was from Free Comic Day in 2008. I finally got around to reading it. The comic is comprised of three vignettes. The first two were pretty good, but not really anything to write about; the third one though, “Bishop Olek’s Devil,” was interesting.

In the story, two scholars go to check the authenticity of a rare occult text that is being offered to the library.

The college had received communication from a Lord Marko Petrov claiming he was in possession of the Dialogus Goetia, a long-believed lost grimoire, famous for its “Wealth Gospel” secret. Lord Petrov claimed he wished to donate the book to the library’s collection.

For those of you who are unfamiliar with Goetia:

Goetia or Goëtia is a practice that includes the conjuration of demons, specifically the ones summoned by the Biblical figure, King Solomon. The use of the term in English largely derives from the 17th-century grimoire The Lesser Key of Solomon, which features an Ars Goetia as its first section. It contains descriptions of the evocation, or “calling out”, of seventy-two demons, famously edited by Aleister Crowley in 1904 as The Book of the Goetia of Solomon the King.

(Source: Wikipedia)

Not surprising, there is a turn of events that result in the two scholars having to face a demon. But I won’t say anything more. I hate reading spoilers, so I do my best to avoid including them in my posts.

Anyway, this was a nice, quick read, and perfect for the time of year when the veil thins. I plan on reading some more creepy tales before Halloween rolls around, so be sure to check back.

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Hellboy and the B.P.R.D. 1955: Burning Season

I have to say that I enjoy stand-alone comics much more than ongoing arcs, since they are like a short story and instantly gratifying to read. And this one is an excellent short tale that worked for me on multiple levels.

Hellboy, the professor, and Susan arrive in Florida to investigate cases of spontaneous combustion, an unusual occurrence which I personally find fascinating in a morbid kind of way.

The notion of spontaneous human combustion dates back to the eighteenth century, but there are legends going back centuries with similar features. And while in medieval times such deaths were attributed to demonic influence, more recently some have come to believe that there is a medical cause.

In trying to figure out whether the events were caused by an unquiet spirit, the group considers the suffering of the Seminole tribe.

The Seminole themselves were driven out by U.S. troops, forced to embark on the ‘Trail of Tears’ to make room for white settlers.

Having lived in Florida, I was familiar with the Seminole and aspects of their history. But the comic also mentions another indigenous tribe, the Timucua.

The original inhabitants of the region, the Timucua, may have been the first North American indians to encounter Spanish explorers when Ponce de Leon arrived in 1513. But the Timucua were wiped out by disease brought by the explorers, their numbers reduced from hundreds of thousands to a bare handful by the nineteenth century.

One of the things I love about the Hellboy series is that the writers consistently draw upon obscure historical information, legends, and mythology. So since I had not heard of this tribe, I did a quick web search to validate the existence of the tribe.

The Timucua were a Native American people who lived in Northeast and North Central Florida and southeast Georgia. They were the largest indigenous group in that area and consisted of about 35 chiefdoms, many leading thousands of people. The various groups of Timucua spoke several dialects of the Timucua language. At the time of European contact, the territory occupied by speakers of Timucuan dialects occupied about 19,200 square miles (50,000 km2), and was home to between 50,000 and 200,000 Timucuans. It stretched from the Altamaha River and Cumberland Island in present-day Georgia as far south as Lake George in central Florida, and from the Atlantic Ocean west to the Aucilla River in the Florida Panhandle, though it reached the Gulf of Mexico at no more than a couple of points.

(Source: Wikipedia)

Spoiler Alert: I have to give away the ending to discuss the last thing, so stop here if you plan on reading the comic and do want the ending spoiled.

It is discovered that the cause of the spontaneous human combustion is the cumulative anguish of all the people who suffered in that area.

The flames were unable to consume you, Hellboy, but you couldn’t hope to overcome centuries of pain. You could only acknowledge it. Remember it.

For me, this was a very powerful and symbolic image. Pain and suffering is symbolically represented as a burning within an individual, or collectively within a group or culture. Eventually the pain and suffering rises to the surface resulting in violent outbursts. We often think we can fight this type of burning rage, but we cannot. Fighting it only increases the pain and stokes the flames of hatred and anger. It is only through acknowledgement, empathy, and compassion that we can begin the healing process.

One last thing I want to say about this comic: the writing and artwork are both amazing. Even if you are not a fan of the genre, you will undoubtedly be impressed by the brilliance of the creative team reflected in these pages. I highly recommend this to all readers.

Cheers!

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Hellboy: Krampusnacht

Tis the season: lights, decorations, Yule logs, nativity scenes, mistletoe, holiday cheer, and of course, Krampus.

One of the things that I love about the Hellboy series is the way that the creative team incorporates myths, legends, and the occult. Myths are such powerful forms of storytelling and they convey profound wisdom and insight into the human condition that they are able to be re-imagined with each new generation. And that is exactly what this issue does—it presents the story of Krampus in a way that resonates with the average American reader.

You’re going to have to bear with me. I’m an American. Over there we’ve got Santa Claus and the elves with toys. Over here… you’ve got Saint Nicholas and his monster sidekick, the Krampus. While Nick’s handing out toys, Krampus–that’s you–hits the bad kids with sticks and rides them around in a basket.

Toward the end of the tale, Hellboy and the professor discuss the possible origins of the Krampus legend.

Professor: Well, I wonder what old Harry Middleton will make of this. I’ll have to call him in the morning… For years he’s maintained that the Krampus was actually the demon goat of the witches’ sabbath, done up in fancy dress for the holidays. And I’ve argued that it was just a slightly nastier variation on the Scandinavian Yule Goat.

Hellboy: “Yule Goat.”

Professor: Yule Goat. Joulupukki. The pre-Christian goat-man version of Father Christmas.

I had never heard of Joulupukki before, but a quick search online provided me with some background on the myth.

Joulupukki is a Finnish Christmas figure. The name “Joulupukki” literally means “Christmas goat” or “Yule Goat” in Finnish; the word pukki comes from the Teutonic root bock, which is a cognate of the English “buck”, and means “billy-goat”. An old Scandinavian custom, the figure eventually became more or less conflated with Santa Claus.

Pagans used to have festivities to honour the return of the sun and some believe Joulupukki is the earliest form of present-day Santa. The Yule Goat was thought by some to be an ugly creature and frightened children while others believe it was an invisible creature that helped prepare for Yule.

Most theorists believe when Christianity began incorporating Pagan ways into their festivals in order to justify the action, they merged the Pagan figure with an already existing Catholic legend known as Saint Nicholas to create Santa Claus.

(Source: Wikipedia)

While the holiday season is a time of celebration throughout cultures and traditions, there is also a touch of the mystical associated with it, and this is often conveyed through ghost stories related to the season.

There must always be ghost stories at Christmas, Elizabeth.

Thanks for stopping by, and may you have a blessed holiday season and a joyous New Year.

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Hellboy and the B.P.R.D 1955: Secret Nature

I love when comics weave important social messages into the stories. This particular tale deals with racial discrimination, particularly directed toward African Americans.

Hellboy, a somewhat grotesque red monster, is on assignment with Woodrow Farrier, a young black man with a Ph.D in Biological Sciences from the University of Chicago. They meet and speak with a white rancher, who makes some disparaging comments directed towards Woodrow. Later, Hellboy inquires about whether or not this treatment bothers Woodrow:

Hellboy: Hey, about that? Does it ever get to you?

Woodrow: What? You mean the fact that people are more accepting of a big red guy with horns and a tail than they are a black man?

Hellboy: Yeah. I figure it can’t be easy.

Woodrow: Of course it’s not easy, Hellboy! Welcome to the world.

This short conversation speaks volumes about the plight of black people. It is high time we stopped judging people by their outsides.

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Hellboy: Winter Special 2017

hellboywinterspecial2017

I enjoy the Hellboy Winter Specials because they contain several short vignettes that are usually very good, and this year’s is no exception. It is comprised of three short tales: “The Great Blizzard,” “God Rest Ye Merry,” and “The Last Witch of Fairfield.” While the last two were good and worth reading, it was the first one, “The Great Blizzard,” that interested me the most.

The premise of the story is that there is an unusually heavy and prolonged snow in England during the late 19th century, and Sir Edward Grey and Sarah Jewell are investigating whether the cause is supernatural. While walking through the bleak whiteness, Edward tells Sarah about similar occurrences that were supernatural in origin.

“In the north there are legends of Cailleach Bheur, the Queen of Winter who rules from Samhain to Bealtaine and summons the storms and snows at will. And there was Saint Bega in the middle ages, to whom a great lord offered as much land as was covered by snow the following morning for her priory. It being midsummer the promise would have been an empty one, had Bega not miraculously caused a snowstorm to fall that night.”

One of the things I love about Hellboy is that the writers draw on actual myths and legends as inspiration for the stories. I was unfamiliar with the references, but did a little research and easily discovered the details of the myths.

Legend of Cailleach Bheur

The Cailleach displays several traits befitting the personification of winter: she herds deer, she fights spring, and her staff freezes the ground.

In partnership with the goddess Brìghde, the Cailleach is seen as a seasonal deity or spirit, ruling the winter months between Samhainn (1 November or first day of winter) and Bealltainn (1 May or first day of summer), while Brìghde rules the summer months between Bealltainn and Samhainn. Some interpretations have the Cailleach and Brìghde as two faces of the same goddess,[16] while others describe the Cailleach as turning to stone on Bealltainn and reverting to humanoid form on Samhainn in time to rule over the winter months.

Source: Wikipedia

Legend of Saint Bega

Bega is associated in legend with a number of miracles, the most famous being the “Snow miracle”, which is described in the Life of St Bega thus:

“Ranulf le Meschin (sic) had endowed the monastery with its lands, but a lawsuit later developed about their extent. The monks feared a miscarriage of justice. The day appointed for a perambulation of the boundaries arrived – and, lo and behold, there was a thick snowfall on all the surrounding lands but not a flake upon the lands of the priory.”

Source: Wikipedia

In addition to the quality writing and the references to mythology, the artwork is top notch, making this a graphic novel definitely worth picking up and reading.

Thanks for stopping by, and have an inspired day.

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