This is a “new” graphic horror magazine. I put “new” in quotations marks because actually, it used to beThe Creeps magazine, but it seems that there was some copyright infringement and they had to change the name. Anyway, this is the first issue and it adheres to the time-tested format of short, campy horror tales done in black-and-white. The writers, artists, and editors are all alumni from the early days of Warren publications, so there is definitely an authentic feel that fans of the old horror mags like Creepy and Eerie will appreciate.
The tales are curated by Old Aunt Shudder, who introduces herself on the inside of the front cover page.
Welcome! …to the first great collector’s edition of Shudder magazine! Your Old Aunt Shudder here, and I’ll be your host as you journey through these terror-filled pages! Inside, you will find all new work from the greatest horror comic artists and writers in the history of monster-dom! I’ve scoured the globe for the world’s top talent to bring you the kinds of terror tales that haven’t been seen for nearly fifty years! Presented in the classic style of the best black and white illustrated horror comic magazines of the 1960’s and 1970’s! Shudder is dedicated to preserving the style of horror comics that were being created at the height of the genre, when realism ruled and dark, moody illustrations brought the world of monsters, creatures and things that go bump in the night to “life!” Now! Enter my world… it’s guaranteed to make you… Shudder!
This is great stuff to read during the Halloween season, especially if, like me, you were raised on the classic horror magazines that Shudder emulates. I am definitely looking forward to future issues.
I picked up this comic the other day on a whim. I was in a new comic store and saw this on the shelf. It looked interesting, so I bought it. Wow! I was really impressed.
First, I need to point out that Ms. von Buhler is both the writer and artist for this graphic tale, and her work is outstanding on both fronts. The writing and the artwork both excel in quality. This is a fictional detective style story based on historical facts about Nikola Tesla and the mystery surrounding his life and death. In addition to creating an engaging mystery tale, Von Buhler also uses her character, Minky Woodcock, to explore issues of gender bias. The result is a definite work of art.
At the end of this installment is a section entitled “Fact versus Fiction,” where von Buhler cites the historical facts that she weaves into the tale. She also shares some interesting tidbits about her research, which I personally found fascinating.
Tesla lived in the New Yorker Hotel in 1943. Every day he would walk to nearby Bryant Park to feed the pigeons. He took a fancy to an injured white pigeon after nursing her back to health. As part of my research, I stayed overnight in Tesla’s two small rooms on the hotel’s 33rd floor where his beloved pigeon would enter his room every day via a window facing the Empire State Building.
It is worth noting that Tesla was convinced that there was power associated with the number 3, and he was quoted as saying, “If you knew the magnificence of 3, 6, and 9, you would know the key to the universe.”
If you like detective stories and graphic novels, then I highly recommend this one. I for one will be reading the subsequent installments in this arc. Thanks for stopping by, and may you always discover new and interesting things to read.
This book marks an expansion in my reading, being the first manga book that I have read. I had tried reading one some years back but had a difficult time following the flow. The left-to-right was one thing, but what confused me was the text within the panels. Anyway, I ended up not reading it and just never tried again. But my daughter came to visit and brought this book along for me to read. She said it was a favorite of hers and she thought I would enjoy it. So I had her give me some basics on reading manga, and took the plunge. Once I got comfortable with the format, it moved nicely.
For those of you who are not familiar with the genre, here is a little background.
Manga are comics or graphic novels originating from Japan. Most manga conform to a style developed in Japan in the late 19th century, though the art form has a long prehistory in earlier Japanese art. The term manga is used in Japan to refer to both comics and cartooning. Outside Japan, the word is typically used to refer to comics originally published in the country.
In Japan, people of all ages read manga. The medium includes works in a broad range of genres: action, adventure, business and commerce, comedy, detective, drama, historical, horror, mystery, romance, science fiction and fantasy, erotica (hentai), sports and games, and suspense, among others. Many manga are translated into other languages. Since the 1950s, manga has become an increasingly major part of the Japanese publishing industry.
This text falls into the horror sub-genre. It is the story of a coastal town in Japan contaminated with spirals. The spiral shapes that appear have bizarre effects upon physical reality within the town, as well as disturbing effects upon the collective and individual psyches of people within the town.
Early in the book, the spiral is identified as a mystical shape.
It fills me with a deep fascination…like nothing else in nature…no other shape…Mr. Goshima, I find the spiral to be very mystical.
As the effects of the spiral increase within the town, it is discovered that spiral whirlwinds can be generated by the slightest of movements, which is then linked to the Butterfly Effect which is part of Chaos Theory in modern physics.
That’s what’s happening in this town. “The flapping of a single butterfly’s wings can create a hurricane on the other side of the world. This is like the “Butterfly Effect”…
Finally, the spiral is revealed as a symbol of eternity and of cycles of creation, destruction, and rebirth, which both transcends and encapsulates time.
And with the spiral complete, a strange thing happened. Just as time sped up when we were on the outskirts, in the center of the spiral it stood still. So the curse was over the same moment it began, the endless frozen moment I spent in Shuichi’s arms. And it will be the same moment when it ends again…when the next Kurouzu-Cho is built amidst the ruins of the old one. When the eternal spiral awakes once more.
While this book seems formidable, weighing in at over 650 pages, it does not take a lot of commitment to read it, since the storyline is heavily driven through the use of graphic imagery. Which prompts me to say a few words about the artwork. In addition to writing this story, Mr. Ito also drew all the illustrations, which are stunning and intricate. To be gifted in either writing or the visual arts is a blessing, but to be gifted in both is highly unusual, and Junji Ito demonstrates that he is adept in both artistic fields.
I am grateful that my daughter brought this book along on her visit and encouraged me to read it. I really enjoyed it and feel that it expanded my reading horizons. I suspect I will be reading more manga in the future. If you have suggestions for other manga to read, I would love to hear from you. Thanks for stopping by, and keep broadening your horizons.
Catching up on my creepy collection of classic chilling tales of spine-tingling terror. This issue has six shocking stories of scintillating suspense, but I am going to only focus this post on one of the tales.
It seems that in every installment of this publication, they do a short illustrated version of a classic horror story, and in this issue they present a graphic version of The Other Lodgers by Ambrose Bierce. Basically, it is the story of a man who sleeps in a deserted hotel and encounters restless spirits, since at one time it was used as a hospital to treat soldiers in the Civil War, many of whom died there as a result of their injuries.
“Sir, if you’ll sit down, I’ll tell you of this place. It’s not a hotel… It used to be a hotel, and afterwards it was a hospital. Now it’s deserted and unoccupied. The room you slept in was the hospital’s dead-room where were always plenty of dead. The night-clerk you described used to check-in the hotel’s guests. Later he checked-in the hospital’s patients, but he died a few weeks ago!”
I have not read Bierce’s original short story, but I think I will. I enjoyed this graphic retelling, so I am sure I would like the original text.
While visiting my local comic store recently, I noticed this issue on the rack, and it is hard for a graphic horror fan to pass up a “spooktacular” issue.
The Creeps is a graphic horror magazine published by Warrant Publishing and revives the style and feel of graphic horror from the 1970s, and from what I read online, they employ writers and artists from that period to create an authentic experience. Issues are curated by The Old Creep, a character with a macabre sense of humor that adds a playful feel to the publication.
This compilation issue contains short tales from previous issues, and the cover claims that this is a collection of “fear fables and classic terror tales.” It is the phrase “fear fables” that stands out for me and which is important to discuss regarding this publication.
The magazine contains eleven tales, and what is consistent is that each of them have a kernel of morality woven into the storyline. Protagonists are confronted with an array of horrors, but these horrors are the result of actions that express a moral flaw. So those seeking revenge, those who mock people over disabilities, individuals acting out of greed, pedophiles, and so forth, all come to grisly ends as a result of their actions. Essentially, you could think of this as the morality of the macabre.
Growing up, I read horror magazines extensively: Creepy, Eerie, Tales from the Crypt, Vamiprella, and so forth. As a kid, I never gave much thought to the lessons of morality that were woven into the tales, but looking back, I sense that these early seeds of my reading habits were planted in my psyche, and as a result, I was much more open to accepting concepts of karma as I matured. There was never a question in my mind: if you do wicked deeds, then something wicked will your way come.
It is easy to point fingers at films, books, games, music, and so forth, and condemn them for corrupting young minds, but the truth is that we really don’t know how these art forms will manifest later on in a person’s life. We should not be so quick to judge. Sometimes, the seeds of wisdom are found in strange places.
I hope you enjoyed this post, and expect more “spooky” posts as October moans on.
I have been reading this comic since its inception and enjoy the stunning artwork and superb writing. Anyway, this installment has a great quote which I want to share.
The Goddess decides how long we live, sister. Maybe I have a minute, maybe a hundred years, but I’m going to enjoy this carrot and being alive with all my devotion.
There is a lot to say about these two short sentences. Firstly, there is the truth that none of us know how long we will live. So many of us plod through life either in denial of our mortality or in fear of death. But the fact is, we will die, and we know not when. But keeping that in mind, we can begin to appreciate each day.
I love the image of eating and enjoying the carrot. It is a beautiful representation of living in the present moment, of practicing mindfulness. I am going to paraphrase something that Don Juan told Carlos Castaneda in one of his books, that you should engage in each act as if it is the last thing you will do. If you are eating a carrot, take your time and enjoy that carrot, because it may be the last thing you eat.
Finally, we come to living life with devotion. I often wonder what the world would be like if the majority of us lived our lives honoring the divine spark that exists within us all, instead of focusing on ourselves and our own personal gains regardless of the effects on others and the world. It seems like a utopian vision, I know, but everything was just a vision at one point, until it was actualized. I try to maintain a sense of reverence to the divine and a focus on spiritual values. Often I fall short, but I try, and that is all I can do.
Anyway, I hope you found this quote as inspiring as I found it. Have a wonderful day, and thanks for stopping by.
I was sad to hear that the great John Lewis passed away on July 17, 2020. In a time when we are still actively struggling for the rights of black Americans, it was an inspiration to look to him and acknowledge the difference one person can make. He will be sorely missed during these trying times.
I would like to go back and share links to the reviews of his graphic novel series March, which he co-wrote. The books are outstanding and I highly recommend them if you have not read them before. I’m tempted to read them again.
Rest in peace, John, and thank you for your service.
I’ve been reading this arc since its inception and have been enjoying it, even though I have not written about any of the previous issues. It is a great graphic fantasy, reminiscent of Game of Thrones and Lord of the Rings. The artwork is intricate and stunning, and the writing is fantastic.
As with most stories in this genre, it is about a quest to defeat a dark force, but what is cool about this is that there are parallel stories/quests unfolding at the same time, one in the “present” and another mirror quest from the past. The dual storylines work well, almost like a double helix, each one twining around the other and adding depth. As each tale unfurls, it adds to the other. As such, it is a complex tale and not one that is easily tackled in a short blog post, hence if you are a fan of the genre, I would just encourage you to check it out for yourself.
I will share a short quote from this issue, though, because it struck a chord in me.
All musics are magic. Some more so than others, though.
Music for me is unique among the arts because of its ability to communicate directly to the spirit, which is why music has been incorporated into rituals as long as people have practiced them. Whether it is shamanic drumming, Gregorian chants, ecstatic dance, or any of the other myriad forms of spiritual music, tones and rhythms have aided humans in shifting their states of consciousness and thereby snatching glimpses of the Divine.
Thanks for stopping by, and keep making time to read in these strange days.
I’ve been reading this comic from its inception, and it is magnificent, both the visual artwork and the word craft. While I don’t post on each installment, this issue includes a quote I feel is important to share.
You have heard me say this before, but it bears repeating: always be aware, kits, of the silences in history… of those stories that even the poets do not tell.
In our digital age, facts and history are subject to suspicion, and even outright denial. As such, we run the risk of inserting silences into our histories, of losing critical information which could help future generations navigate difficulties which they must inevitably face. Additionally, there are some stories that are painful to tell, but the telling of those stories is important. If we let the stories die out, because we are complacent or afraid, then we are complicit in the decimation of history.
I hope everyone had a wonderful holiday. Mine was busy, but nice.
I had a couple draft blog posts on stuff I read toward the end of 2019, but I wanted to hold off on those and instead write about a book that I read which was so positive and uplifting. I’m thinking we need to start go into 2020 focusing on the things that are beautiful and inspiring.
While doing some holiday shopping, I saw this book on display. I had read online that Barnes and Noble awarded it their favorite book of 2019, so I had to pick it up for myself, and I am so glad I did. The book is simple and heart-warming, filled with inspirational messages that are down-to-earth and clear enough for anyone to grasp. It is a graphic novel wonderfully illustrated with humble sketches that add to the book’s overall charm. I was able to read it in about 15 minutes (my daughter read it in 5), but the imagery and emotions lasted with me for days.
I highly recommend that you read this book, even if you are not a fan of graphic novels. It’s a special book that transcends the genre, and I’m sure you will feel happier and uplifted after you set the book down.
To entice you a little more, I figured I would include a couple short quotes, so you have a sense of what you are in for. Thanks for stopping by, and have an inspired and blessed 2020!
“What do you want to be when you grow up?”
“Kind” said the boy.
“Often the hardest person to forgive is yourself.”
“What is the bravest thing you ever said?” asked the boy.
“Help,” said the horse.
“When the big things feel out of control… focus on what you love right under your nose.”