Tag Archives: interpretation

Thoughts on “Zen Mind, Beginner’s Mind” by Shunryu Suzuki

This is one of those books that I have been wanting to read for a while, since it was often referred to in other spiritual books and articles which I have read. The beauty of this text is its simplicity. As humans, we excel at complicating things, especially when it comes to religion and spirituality. With this in mind, Suzuki reminds us that sometimes we just need to stop talking and thinking, and just be in the present moment.

“We have had enough discussion, so let’s have a cup of tea!”

(p. 39)

In addition to simplicity and being in the present, the spiritual principle of acceptance is emphasized, especially in relation to the transiency of all existence.

The basic teaching of Buddhism is the teaching of transiency, or change. That everything changes is the basic truth for each existence. No one can deny this truth, and all the teaching of Buddhism is condensed within it. This is the teaching for all of us. Wherever we go this teaching is true. This teaching is also understood as the teaching of selflessness. Because each existence is in constant change, there is no abiding self. In fact, the self-nature of each existence is nothing but change itself, the self-nature of all existence. There is no special, separate self-nature for each existence. This is also called the teaching of Nirvana. When we realize the everlasting truth of “everything changes” and find our composure in it, we find ourselves in Nirvana.

(p. 91)

I found this book very inspiring, and suspect I will read it again at some point. I don’t feel there is anything else I need to say about this book at this point. I’ll just encourage you to have a cup of tea.

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“Tao Teh Ching: Chapter 70” by Lao Tzu

My words are very easy to understand, and very easy to practise:
But the world cannot understand them, nor practise them.

My words have an Ancestor.
My deeds have a Lord.
The people have no knowledge of this.
Therefore, they have no knowledge of me.

The fewer persons know me,
The nobler are they that follow me.
Therefore, the Sage wears coarse clothes,
While keeping the jade in his bosom.

Although the translation of this text states that Lao Tzu’s teachings are “very easy,” I suspect that what is meant is that the teachings are “simple,” yet the understanding and application of those teachings are more challenging. I am very aware that the simplest lessons in life are often the most difficult. Then, to make matters worse, we often beat ourselves up for failing to grasp what is basic and obvious, telling ourselves “We should know better.” But growth and change are never easy, which is why it is important to be gentle with ourselves.

Something else that I gleaned from this passage is that individuals often approach teachings with preconceived ideas, and that these preconceived ideas often distort what is being conveyed. Additionally, we may have impressions about the teacher which may distort our understanding of the teachings. I was taught many years ago to “focus on the message, not on the messenger.” That is sound advice and I try to keep that in mind.

Thanks for stopping by, and have a great day.

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“Tao Teh Ching: Chapter 69” by Lao Tzu

Image Source: Wikipedia

The strategists have a saying:
I dare not be a host, but rather a guest;
I dare not advance an inch, but rather retreat a foot.

This is called marching without moving,
Rolling up one’s sleeves without baring one’s arms,
Capturing the enemy without confronting him,
Holding a weapon that is invisible.

There is no greater calamity than to under-estimate the strength of your enemy.
For to under-estimate the strength of your enemy is to lose your treasure.

Therefore, when opposing troops meet in battle, victory belongs to the grieving side.

I must confess, when I first read this, I was not sure I would have much to say about it. Military strategy is not really my thing. But I thought a little about the principles expressed through the passage, and I realized it is applicable to our broader society.

There is a socio-political trend right now which is to oppose anything that is contrary to one’s beliefs, and to staunchly refuse to compromise or give in on anything, regardless of how trivial it is or whether the opposing viewpoint has merit. This is a problem, and it is contributing to the stark divide in our society. No matter what the issue is, both sides seem poised to dig in and not give an inch. A society cannot function in this way, nor can a government. There has to be compromise, and compromise needs to be on both sides, not the version of “compromise” where we demand the other party change their views to align with ours.

Eventually, things will have to change. We will either learn to work together with respect and consideration, or our social structure will collapse. I personally am hopeful for the first option.

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“Sonnet 43: When most I wink, then do mine eyes best see” by William Shakespeare

When most I wink, then do mine eyes best see,
For all the day they view things unrespected;
But when I sleep, in dreams they look on thee,
And, darkly bright, are bright in dark directed.
Then thou, whose shadow shadows doth make bright,
How would thy shadow’s form form happy show
To the clear day with thy much clearer light,
When to unseeing eyes thy shade shines so?
How would, I say, mine eyes be blessed made
By looking on thee in the living day,
When in dead night thy fair imperfect shade
Through heavy sleep on sightless eyes doth stay!
All days are nights to see till I see thee,
And nights bright days when dreams do show thee me.

This is an interesting sonnet for me, because it appears that Shakespeare is contemplating the nature of reality as it pertains to one’s state of consciousness. On the surface, he is praising the beauty of his beloved as it appears to him while dreaming and compares that to his beloved’s appearance in waking reality. But what strikes me about this sonnet is the repeated mention of words like “shadow” and “form.” I get the sense that Shakespeare is alluding to Plato’s Allegory of the Cave, that what we perceive as real is more like a shadow of the divine form cast upon the wall of a cave. Was Shakespeare likening the fair youth to an archetypal form of supreme beauty that we cannot fully comprehend in our normal state of consciousness? I don’t know, but it is definitely something worth considering when reading this text.

That’s all I wanted to say about this poem. Comments will be open for two weeks after post date, so if you have any thoughts you would like to share about this poem, feel free to do so.

Cheers!

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“Tao Teh Ching: Chapter 68” by Lao Tzu

A good soldier is never aggressive;
A good fighter is never angry.
The best way of conquering an enemy
Is to win him over by not antagonising him.
The best way of employing a man
Is to serve under him.
This is called the virtue of non-striving!
This is called using the abilities of men!
This is called being wedded to Heaven as of old!

I love this passage, especially the lines: “The best way of conquering an enemy / Is to win him over by not antagonising him.” This conveys a sense of civility that really seems to be missing in our public forums. More and more, the way individuals are dealing with people who have opposing views is to shut them down, scream at them, threaten them, or worse, physically attack them. No one has ever changed another person’s mind through abuse. I feel that if people toned down the rhetoric, we would find common ground and accomplish more.

Thanks for taking the time to read this post. I hope it inspires you.

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Thoughts on “The Guest House” by Rumi

This being human is a guest house.
Every morning a new arrival.

A joy, a depression, a meanness,
some momentary awareness comes
as an unexpected visitor.

Welcome and entertain them all!
Even if they’re a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still, treat each guest honorably.
He may be clearing you out
for some new delight.

The dark thought, the shame, the malice,
meet them at the door laughing,
and invite them in.

Be grateful for whoever comes,
because each has been sent
as a guide from beyond.

(Translation: Coleman Barks)

I decided to offer my thoughts on this poem because for me it embodies the feeling of gratitude that we should all embrace during this time of thanksgiving.

These last couple years have been difficult. I don’t think there is a single one of us who has not faced challenges and uncertainties the likes of which we never imagined. And as I look around me, I see this collective stress and anxiety manifesting in our society and in our behaviors toward each other.

I propose that we look to Rumi’s wisdom and try to understand that everything we are going through is just part of the human experience. And if we stop and think about it, it is an amazing experience. Although I have dealt with sadness, tragedy, pain, and an array of negative emotions, I have also known incredible joy, love, wonder, and contentment, and so much more. One of the greatest skills I’ve learned is the importance of gratitude. I have so much to be grateful for, and no matter how bad things have gotten, and they have gotten pretty bad at times, there have always been aspects of my life for which I could be grateful.

I hope as you read this, you will pause and reflect. While things could be better, they could also be infinitely worse. If we keep that in mind and remain grateful for the good things in our lives, I believe we can begin to shift our cultural trajectory.

Wishing you and yours abundant joy and happiness.

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“Sonnet 42: That thou hast her, it is not all my grief” by William Shakespeare

That thou hast her, it is not all my grief,
And yet it may be said I lov’d her dearly;
That she hath thee, is of my wailing chief,
A loss in love that touches me more nearly.
Loving offenders, thus I will excuse ye:
Thou dost love her, because thou know’st I love her;
And for my sake even so doth she abuse me,
Suffering my friend for my sake to approve her.
If I lose thee, my loss is my love’s gain,
And losing her, my friend hath found that loss;
Both find each other, and I lose both twain.
And both for my sake lay on me this cross:
But here’s the joy: my friend and I are one:
Sweet flattery! then she loves but me alone.

In this sonnet, Shakespeare is addressing a love triangle. Essentially, the fair youth, who is described as the speaker’s “friend,” has become romantically involved with the speaker’s mistress. What is most interesting is that the speaker seems less sad about losing his mistress than he is about losing the love of the fair youth. There are a couple ways to interpret this. On one hand, the argument can be made that the speaker has a romantic relationship with his friend, and that this relationship means more to him than his heterosexual relations. But another way to look at it is that Shakespeare is trying to convey the importance of friendship and camaraderie. While sexual relations may come and go, the deep bond of friendship is something rare.

In the final couplet, the speaker states “my friend and I are one.” Regardless of whether you interpret the friendship as a romantic or a platonic relationship, what is evident is the deep connection the speaker feels for his friend. Being as one, his friend’s happiness is essentially his own.

Thanks for stopping by and sharing in my musings. Have an inspired day.

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Thoughts on Poem 712 by Emily Dickinson: Because I could not stop for Death

Because I could not stop for Death –
He kindly stopped for me –
The Carriage held but just Ourselves –
And Immortality.

We slowly drove – He knew no haste
And I had put away
My labor and my leisure too,
For His Civility –

We passed the School, where Children strove
At Recess – in the Ring –
We passed the Fields of Gazing Grain –
We passed the Setting Sun –

Or rather – He passed us –
The Dews drew quivering and chill –
For only Gossamer, my Gown –
My Tippet – only Tulle –

We paused before a House that seemed
A Swelling of the Ground –
The Roof was scarcely visible –
The Cornice – in the Ground –

Since then – ’tis Centuries – and yet
Feels shorter than the Day
I first surmised the Horses’ Heads
Were toward Eternity –

Over the past few months, I have been having virtual literature discussions with one of my closest friends, and we recently discussed this poem. I had read through it multiple times prior to our discussion and took many notes. Still, in talking about the nuances of this masterpiece, we discovered more hidden symbolism and meaning. So my goal in this post is to cover some of the themes we discovered in the text. It is by no means exhaustive, and if you have insights you would like to share, please do so in the comments section (available for 14 days after publication of this post).

The obvious theme is that the speaker is describing the afterlife by personifying Death and Immortality. As is implied in the first stanza, many of us hasten through our lives without giving much thought to our impending deaths. But eventually, Death does come for us all. It is also worth noting that Dickinson differentiates between Death and Immortality. One could conclude that dying does not necessarily mean that the soul will unite with the Eternal.

Something that my friend and I discussed was the possibility that the speaker is somehow wedded, either to Immortality or to Death. There are multiple images that support this interpretation. When couples get married, they would often leave together in a Carriage. In the third stanza, there is mention of a Ring and Children. And in the fourth stanza, we learn that she is wearing a Gown, and more importantly, a Tulle, which is a veil.

Now, one could argue that the Tulle might represent the veil between this world and the afterlife. This is also a valid interpretation and worth considering.

Finally, there is one other symbol that we discussed which may be of interest, and that is the biblical Scarlet Woman from Revelation. If you look closely at the sixth stanza, you can find the imagery there. The mention of “Centuries” implies the passing of a millennium, which feels shorter than “the Day.” The Day could be interpreted as the Judgement Day. The “Horses’ Heads” could then be viewed as a reference to the Four Horsemen of the Apocalypse. All of these signs are pointing “toward Eternity,” manifested by the Second Coming of Christ. If one accepts this interpretation, then the conclusion of this poem takes on an ominous tone.

Again, these are just thoughts and impressions regarding this poem. I suspect there is even more going on than I am aware of. There are definitely layers of symbolism and hidden meaning in this text. I welcome you to share any thoughts you may have.

Thanks for stopping by.

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Thoughts on “The Upanishads” – Translated by Swami Prabhavananda and Frederick Manchester

I originally read The Upanishads when I was in college. In fact, the old paperback copy I still have was my old college text, complete with highlighting and marginalia. Sadly, the binding is coming undone so I think this may be my last reading of this particular book. But it has served me well. Anyway, it had been many years since I read this, and considering all the material I have read in between, I suspected that this reading would be on a different level than my prior readings.

For those of you who are unfamiliar with the text:

The Upanishads are late Vedic Sanskrit texts of religious teachings which form the foundations of Hinduism. They are the most recent part of the oldest scriptures of Hinduism, the Vedas, that deal with meditation, philosophy, and ontological knowledge; other parts of the Vedas deal with mantras, benedictions, rituals, ceremonies, and sacrifices. Among the most important literature in the history of Indian religions and culture, the Upanishads played an important role in the development of spiritual ideas in ancient India, marking a transition from Vedic ritualism to new ideas and institutions. Of all Vedic literature, the Upanishads alone are widely known, and their central ideas are at the spiritual core of Hinduism.

(Source: Wikipedia)

Much of the text discusses the Self, which is essentially that spark of the Divine that exists within each being.

The Self, whose symbol is OM, is the omniscient Lord. He is not born. He does not die. He is neither cause nor effect. This Ancient One is unborn, imperishable, eternal: though the body be destroyed, he is not killed.

(p. 18)

There is a belief held by many on the spiritual path that the goal is to renounce the world and focus only on the spiritual. The Upanishads teach that not only is this incorrect, it is actually detrimental to one’s spiritual growth. Balance is needed, and polarity of any sort leads to darkness.

To darkness are they doomed who devote themselves only to life in the world, and to a greater darkness they who devote themselves only to meditation.

Life in the world alone leads to one result, meditation alone leads to another. So have we heard from the wise.

They who devote themselves both to life in the world and to meditation, by life in the world overcome death and by meditation achieve immortality.

(pp. 27 – 28)

For me, one of the most intriguing passages from this reading was a description of how to realize, or “see,” the Divine presence, God, the Self.

To realize God, first control the outgoing senses and harness the mind. Then meditate upon the light in the heart of the fire—meditate, that is, upon pure consciousness as distinct from the ordinary consciousness of the intellect. Thus the Self, the Inner Reality, may be seen behind physical appearance.

Control your mind so that the Ultimate Reality, the self-luminous Lord, may be revealed. Strive earnestly for eternal bliss.

With the help of the mind and the intellect, keep the senses from attaching themselves to objects of pleasure. They will be purified by the light of the Inner Reality, and that light will be revealed.

(p. 120)

I have not even scratched the surface of this book. The wealth of wisdom and insight in this short text is staggering. I highly recommend that any of you who are on the spiritual path read and reread this text.

Thanks for stopping by. May you have a blessed journey.

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Thoughts on “The Hill We Climb” by Amanda Gorman

In our current society, poets and poetry rarely get the broad recognition they deserve. An exception to this is The Hill We Climb by Amanda Gorman. When she read this poem to the nation as the Youth Poet Laureate at Joe Biden’s inauguration ceremony on January 20, 2021, I for one was floored. That a 22-year-old poet could compose such powerful and timely words, and present them with poise, dignity, and inspired optimism, renewed my belief in the power of words to foment change in our world. Regardless of which side of the political divide we may find ourselves, it is impossible to deny that Ms. Gorman’s words were able to bridge that divide and offer hope in what was a difficult time.

In her introduction to the printed version of the poem, Oprah Winfrey wrote:

Everyone who watched came away enhanced with hope and marveling at seeing the best of who we are and can be through the eyes and essence of a twenty-two-year-old, our country’s youngest presidential inaugural poet.

I am in complete agreement.

There are two short excerpts from this incredible poem that I would like to share.

And so we lift our gazes not
To what stands between us,
But to what stands before us.
We close the divide,
Because we know to put
Our future first, we must first
Put our differences aside.

The truth of this statement is self-evident. We cannot advance as a nation, or as a species, unless we learn to stop vilifying those who have differing opinions and beliefs. Focus needs to shift from differences to commonalities.

So while we once asked: How could we
possibly prevail over catastrophe?
We now assert: How could catastrophe
possibly prevail over us?

This past year has been hard for all of us, and our world continues to pose challenges. But challenges, while painful to work through, often provide the spark of heroic inspiration needed to “climb the hill.” Every journey has a point where the odds seem insurmountable. We stand at this threshold. But as Amanda Gorman shows us, we can take that next step and move toward ushering in a better world for all people.

I strongly encourage you to go out and buy a copy of Ms. Gorman’s poem. It is important that we support those creative individuals who inspire us to become the best that we can be.

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