Tag Archives: macabre

Chilling Adventures of Sabrina: Issue #8

Since this is probably my favorite graphic tale on the shelves these days, it goes without saying that I was pretty excited to hear that it is also being developed into a television series. According to the studios:

“‘The Chilling Adventures of Sabrina’ reimagines the origin and adventures of ‘Sabrina the Teenage Witch’ as a dark coming-of-age story that traffics in horror, the occult and, of course, witchcraft. Tonally in the vein of ‘Rosemary’s Baby’ and ‘The Exorcist,’ this adaptation finds Sabrina wrestling to reconcile her dual nature — half-witch, half-mortal — while standing against the evil forces that threaten her, her family and the daylight world humans inhabit.”

(Source: Indie Wire)

Anyway, this issue continues to explore the darkest corners of human nature, including incestuous thoughts that Sabrina’s resurrected father entertains. But for me what makes this issue, and the series as a whole, most interesting is the incorporation of mythology and occult philosophy.

As a back story, Sabrina performed an act of necromancy to raise her dead boyfriend, Harvey. Unbeknownst to her, she actually resurrected her dead father in the form of her boyfriend. Sabrina’s aunts summon psychopomps to ferry the resurrected soul back to the realm of the dead. “Psychopomps are creatures, spirits, angels, or deities in many religions whose responsibility is to escort newly deceased souls from Earth to the afterlife. Their role is not to judge the deceased, but simply to provide safe passage. Appearing frequently on funerary art, psychopomps have been depicted at different times and in different cultures as anthropomorphic entities, horses, deer, dogs, whip-poor-wills, ravens, crows, owls, sparrows and cuckoos.” In this story, the psychopomps are visually depicted as cerebral jellyfish, sort of brains with tentacles, which is interesting when one considers that Carl Jung asserted that “the psychopomp is a mediator between the unconscious and conscious realms.” (Source: Wikipedia)

The installment ends on a dark and foreboding note. Sabrina’s cousin, Ambrose, reminds her of a basic tenet in the mystical arts, that every act has its consequence and the cost of the act must always be paid in full.

“Everything must be paid for, cousin… including Harvey. You ultimately ripped Harvey from his grave… so now you must send someone else to their premature death. Put plainly… you’re going to have to kill someone, Sabrina.”

Everything we do has a consequence, and this should be remembered at all times when we deal with others in the world. Nothing that we do is free from impunity. This is a natural law from which there is no avoidance.

Thanks for stopping by, and keep reading challenging stuff.

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“Outcast – Volume 1: A Darkness Surrounds Him” by Kirkman and Azaceta

I recently visited my daughter in Los Angeles. While I was there, she insisted on taking me to her favorite comic store: A Shop Called Quest. It was a very cool store and while we were there, she encouraged me to purchase the first volume of “Outcast,” certain that I would like it. She knows me well.

The tale is basically about demonic possession and exorcism. The main character, Kyle, is an outcast in society, grappling with his own personal inner demons. But outcast is a double entendre in this book. It also refers to the casting out of demons, an innate power which Kyle seems to possess. He accompanies a preacher who senses an impending rise in evil and is striving to combat it.

The artwork and writing in this book are both excellent. The artist uses shading techniques to illustrate the differences between events that are happening at the time, and events that are being relived through memory. The format works very well.

This is a nice, creepy story, perfect to start the Halloween season. I will leave you with a quote from the text that I found interesting.

Look at this world around us, filled with wickedness. I think about the things I’ve seen and I can’t help but ask, “Why God, why?” And let me tell you a secret. He does not answer back. Sometimes I get a feeling and sometimes there’s a sign… but I don’t hear his voice. Not like Moses did, or Abraham, or Jesus… why? Maybe he got too preoccupied with the war and he forgot about us. Maybe he’s losing.

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Diablo House: Issue 01

I recently visited Spain, and while I was in Barcelona I was understandably impressed by the Gaudi architecture I saw there. For this reason, as well as my interest in 70’s horror comics on which I was raised, this new graphic series caught my attention.

The style of this is very similar to the horror comics of the 1970’s, where you have a host narrator who guides your through the tale, offering comedic commentary on the story. In “Diablo House,” the host is Riley, who is a cross between a California surfer dude, the Cryptkeeper, and Cousin Creepy. He guides the reader through rooms in the house, which is an architectural blending of Gaudi and Aztec style.

Judging from the first installment, it seems that each issue has a single tale with a moral, which I like, since I often find myself losing the thread of serialized comics. The story in this issue deals with greed, vanity, and insecurity, and how people will step on others in their insatiable quest for more money, power, and prestige. And of course, it has the moral twist about the negative ramifications associated with this type of obsession.

This issue definitely piqued my interest, so I will check out some more. If you are a fan of the classic horror mags, then you might find this interesting too. Check it out and feel free to share your thoughts. Cheers!

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Chilling Adventures of Sabrina: Issue #7

It has been a full year since the last issue of Sabrina came out, probably because Roberto Aguirre-Sacasa was busy writing for the television show “Riverdale” (which I watched with my daughter and is quite good). Although it was a long wait, it was well worth it. The quality of this comic, in terms of both writing and visual artistic style, sets it in a class by itself.

Essentially, this is the back story concerning Sabrina’s father, Edward Spellman, who is resurrected and inhabiting the body of Sabrina’s boyfriend, Harvey Kinkle (a little Electra complex happening here). Edward recounts his initiation into the dark arts, his rise to power in the Church of Satan, and how he came to be imprisoned in the limbo dimension.

This installment is dark and disturbing on multiple levels. The content is macabre, the imagery intense, it is psychologically distressing, and the tale leaves the reader with a sense of tension and foreboding which is stoked by what is left unsaid. For truly, it is the unknown possibilities that stir the deepest fear within us, and Aguirre-Sarcasa is a master when it comes to leaving just enough of the story hidden to evoke the most profound terror in the reader.

Readers should be warned that this is not a comic for the timid. But if you love the macabre and long to peer into the stuff of nightmares, then get thee to the store and buy a copy.

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Chilling Adventures of Sabrina: Issue #6

Sabrina_06

Another excellent installment in this arc! I keep thinking that the creative team cannot possibly keep up the quality of the writing and artwork, but yet with every issue I am astounded and impressed.

This issue is based upon a discussion between three familiars: Salem, the cat; and Nag and Nagaina, two cobras. They share the tales about how they were all once human but were transformed into animals. These tales of transformation comprise the issue.

What is so brilliant about this story is that it makes reference to numerous stories and folk tales that are part of our culture. There are allusions to Shakespeare, Hawthorne, Kipling, the Arabian Nights, pirate folklore, and so on. So what this short installment in the graphic series manages to achieve in just a few pages is demonstrate how stories cycle through our history, that our society and culture is guided by the stories that have been retold through generations.

As with so much great literature, you can read this without knowing the references to “Hamlet” and “Macbeth” or having never read “Rikki Tikki Tavi” and still enjoy it for the sheer elegance of the3 writing and the evocative artwork. But having knowledge of these texts adds another level of depth to the tale, making it interesting to a literature nerd like myself as well as being an entertaining read for the average reader.

There is nothing I love more than stories that serve as portals to literature, opening the vistas of the literary world to people who may not have been exposed to it. This is definitely one of those portal tales, or gateway drugs, enticing you into the wonderful world of art and the imagination.

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Creepy: Issue 23

Creepy_23

On a recent trip to the comic store, I opted to discontinue a couple arcs that I had been following. I had just lost interest and it felt like they were dragging out the stories. So, I perused the racks looking for something different and then an issue of Creepy caught my eye. The cover—dark, gothic, and spectral—enticed me. I have loved horror since I was a kid, and I used to read early versions of Creepy growing up (much to the dismay of my parents). I had read a couple of the “new” Creepy publications put out by Dark Horse,so I decided to pick this one up and give it a read. I have to say, I really liked it.

The stories in the issue were reminiscent of the old graphic horror tales I remember from my childhood. Even the black-and-white artwork captured the shadowy essence of early graphic horror. And rather than being serialized, where you have to commit to issue after issue following a labyrinthine arc, Creepy is composed of several short vignettes, each one a stand-alone tale steeped in folklore and the macabre. I particularly liked one story entitled “The Picture of Death,” which was about an 18th century traveler who stays in a boardinghouse room that has a cursed painting. The painting, populated with grotesquely surreal creatures right out of an Hieronymus Bosch painting, comes to life and draws the unsuspecting man into a nightmarish realm. It was an amazing depiction of how art can also unlock darker regions of the psyche which can lead a person into insanity.

The inside of the back cover is a single-page one-panel tale depicting a mythological demon who creates a play so dark that reading it drive a person insane. I thought it would be worth sharing  the accompanying quote.

Hastur, ruling from the lost, mythical city of Carcosa, revels in chaos and madness. None dare read the play written by this malicious entity, for fear of going insane, crying for salvation while Hastur’s soul-shattering stories give none.

Beware, precious reader, for you too will end up as the pitiful wretch seen here—one whose mind has traveled too far into the realm of the King in Yellow, only to be trapped with countless other lost souls!

If you have an interest in the macabre, then this is something for you. But be warned, these tales are not for the timid.

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Chilling Adventures of Sabrina: Issue #5

Sabrina_05

It’s been nine long months since the last installment in this series. I had pretty much given up on it. But lo and behold, on my last visit to Comic Envy, there was a new Sabrina issue in my folder. It felt like Halloween came early.

It was worth the wait! Sabrina is so dark, so well written and illustrated, so steeped in the occult, there is really nothing that compares to it.

In this installment, Sabrina is placed on trial for alleged sins against the Satanic Church of Night. The trial is presided over by none other than Aleister Crowley. Sabrina is forced to undergo cruel tests to prove her innocence, reminiscent of Puritanical tests administered during the colonial witch trials.

After Sabrina’s “innocence” is established, she undertakes the dark rite of necromancy to raise her dead boyfriend, Harvey. The scenes of the rite are visually chilling and the text is as dark as the imagery.

The witches set about their grim task. First, a symbol representing the gateway between life and death is grooved into the dirt with a snapped-off branch. The branch is symbolic of the Tree of Life, as well as the pole Charon, ferryman of Death, uses to cross the River Styx. Next, a set of the dead person’s clothes is laid out on the ground, over the symbol. So that when the revenant comes back, they may cover their nakedness. Then five candles are lit and positioned around the clothes, so that there is light guiding the dead back to this plane of existence. Then, Sabrina is given the dread Demonomicon, and she recites the diabolical incantation: “…corpus levitas, diablo daminium, mondo viciim…” (The Demonomicon being a sister-book of the unholy Necronomicon.) The infernal dance comes next, and the chanting… “…for you who sleep in stone and clay, heed the call, rise up and obey, pass on through the mortal door, assemble flesh and walk once more…”

The spell works, but there is a very dark twist. Sorry, no spoilers here. You will have to purchase a copy and read it yourself.

One last thing I want to say about this issue. Superimposed over the main story is the enactment of Macbeth by the high school. It works spectacularly! I cannot emphasize enough how well the corresponding scenes connect to and add depth to the overarching storyline. It’s nothing short of brilliance in the genre of graphic horror.

“By the pricking of my thumbs, something wicked this way comes.”

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