Tag Archives: mysticism

The Symbolism of the Doors in “The Starless Sea” by Erin Morgenstern

This was probably my most anticipated book of 2019. A while back, I read The Night Circus by Morgenstern, which instantly became one of my favorite books and the one I most frequently recommend to people asking me for suggestions regarding books to read. I actually preordered this book so I could get it the day it was released. Now, with books that you have high expectations for, sometimes it is hard for them to meet those expectations. But while The Starless Sea is not as good as The Night Circus (a difficult book to surpass, in my opinion), it was still excellent and well worth the read.

The book is a tale rich with symbolism that traces a young man’s discovery and journey into a subterranean realm populated with stories.

Far beneath the surface of the earth, hidden from the sun and the moon, upon the shores of the Starless Sea, there is a labyrinthine collection of tunnels and rooms filled with stories. Stories written in books and sealed in jars and painted on walls. Odes inscribed onto skin and pressed into rose petals. Tales laid in tiles upon the floors, bits of plot worn away by passing feet. Legends carved in crystal and hung from chandeliers. Stories catalogued and cared for and revered. Old stories preserved while new stories spring up around them.

(p. 6)

This image symbolically describes the human collective unconscious, that vast repository populated with all the stories and myths that have existed or will come into being. Every writer, poet, artist, and musician seeks to tap into this reservoir of inspiration, and some, like Morgenstern here, attempt to describe it. But it can only be described symbolically, since the wellspring of artistic creativity is something that exists beyond our comprehension. But we all sense its presence, just below the surface of our psyches.

While art can be a reflection of the mystical source of consciousness, it also has the ability to draw the audience into the realm of the mystical through the use of symbols. The door is one of those symbols, representing the transitional space between ordinary reality and the deeper realms of the subconscious.

The son of the fortune-teller knows only that the door feels important in a way he cannot quite explain, even to himself.

A boy at the beginning of a story has no way of knowing that the story has begun.

He traces the painted lines of the key with his fingertips, marveling at how much the key, like the sword and the bee and the doorknob, looks as though it should be three-dimensional.

The boy wonders who painted it and what it means, if it means anything. If not the door, at least the symbols. If it is a sign and not a door, or if it is both at once.

In this significant moment, if the boy turns the painted knob and opens the impossible door, everything will change.

(p. 13)

Doors to the subconscious exist not only in art, but they can manifest spontaneously anywhere in the world, instantly transporting an unsuspecting individual into the proverbial Wonderland of an altered state of consciousness.

There are numerous doors in varying locations. In bustling cities and remote forests. On islands and on mountaintops and in meadows. Some are built into buildings: libraries or museums or private residences, hidden in basements or attics or displayed like artwork in parlors. Others stand freely without the assistance of supplemental architecture. Some are used with hinge-loosening frequency and others remain undiscovered and unopened and more have simply been forgotten, but all of them lead to the same location.

(p. 61)

There is a very subtle yet extremely important warning hidden in this passage. Morgenstern writes that some doors “are used with hinge-loosening frequency.” I interpret this as a caution to those who use consciousness-expanding drugs as a portal to glimpse the hidden realms of the subconscious. Just as doors can become unhinged, the human psyche can also become unhinged when thrown open too frequently through the use of certain chemicals. While it can be difficult to seek out the undiscovered doors in remote locations, it seems a much more prudent path for those seekers of deeper knowledge.

As William Blake famously asserted in The Marriage of Heaven and Hell: “If the doors of perception were cleansed everything would appear to man as it is, infinite.” The Starless Sea is yet another door for us to enter into the infinite and ineffable expanse of the human creative spirit. And now the wait begins for Ms. Morgenstern’s next novel.

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“Transcendental Magic: Its Doctrine & Ritual” by Eliphas Levi: Part 2 – Ritual

I finished reading this second half a while back, but have been too busy dealing with other things to write anything about it. (Click here to read the first part on Doctrine.) Anyway, I did take notes while I was reading, so I am now getting around to putting down my thoughts on this text.

The second half of this book is very dense and complicated, as it goes into examples of ritualistic magick, providing step-by-step examples along with additional theoretic explanations. As such, it is beyond the scope of this blog post to delve into the complexities of these rituals. In addition, as Levi points out, magic should never be a pastime and should be approached with the utmost care and seriousness.

… there can be nothing more dangerous than to make Magic a pastime, or, as some do, part of an evening’s entertainment. Even magnetic experiments, performed under such conditions, can only exhaust the subjects, mislead opinions and defeat science. The mysteries of life and death cannot be made sport of with impunity, and things which are to be taken seriously must be treated not only seriously but with the greatest reserve.

(p. 322)

As such, I am going to abstain from sharing the details of rituals presented here. I do not want to have any responsibility for individuals doing acting irresponsibly. But I will share some passages that I think would be enlightening. The first one deals with transmutation.

St. Augustine speculates, as we have said, whether Apuleius could have been changed into an ass and then have resumed his human shape. The same doctor might have equally concerned himself with the adventure of the comrades of Ulysses, transformed into swine by Circe. In vulgar opinion, transmutations and metamorphoses have always been the very essence of magic. Now, the crowd, being the echo of opinion, which is queen of the world, is never perfectly right nor entirely wrong. Magic really changes the nature of things, or, rather, modifies their appearances at pleasure, according to the strength of the operator’s will and the fascination of ambitious adepts. Speech creates its form, and when a person, held infallible, confers a name upon a given thing, he really transforms that thing into the substance signified by the name. The masterpiece of speech and of faith, in this order, is the real transmutation of a substance without change in its appearances.

(p. 366)

What Levi is asserting here is that individuals with enough focus of mind can use language to alter the fabric of reality. Basically, this is the creative power of God. God “speaks” all things into existence. And what are words but auditory symbols representing thought, which is our creative energy. We live in an age where people seem to have lost respect for the power of words, and as such spew forth without care anything that comes to their minds. As a result, we have collectively created an environment of chaos and fear. We have essentially transmuted our world through the careless use of our words, and the will behind those words. Is it any wonder that many of the magi of old were also poets? A poet understands the evocative power of words to foment change within an individual who hears those words, and internal changes eventually manifest in the external.

A common use of magic is for protection, but as Levi points out, the best protection against negative influence is a clear mind, a strong will, and to stay grounded.

To preserve ourselves against evil influences, the first condition is therefore to forbid excitement to the imagination. All those who are prone to excitement are more or less mad, and a maniac is ever governed by his mania. Place yourself, then, above puerile fears and vague desires; believe in supreme wisdom, and be assured that this wisdom, having given you understanding as the means of knowledge, cannot seek to lay snares for your intelligence or reason. Everywhere about you, you behold effects proportioned to their cause ; you find causes directed and modified in the domain of humanity by understanding ; in a word, you find goodness stronger and more respected than evil ; why then should you assume an immense unreason in the infinite, seeing that there is reason in the finite? Truth is hidden from no one. God is visible in His works, and He requires nothing contrary to its nature from any being, for He is himself the author of that nature. Faith is confidence; have confidence, not in men who malign reason, for they are fools or impostors, but in the eternal reason which is the Divine Word, that true light which is offered like the sun to the intuition of every human creature coming into this world. If you believe in absolute reason, and if you desire truth and justice before all things, you will have no occasion to fear anyone, and you will love those only who are deserving of love. Your natural light will repel instinctively that of the wicked, because it will be ruled by your will. Thus, even poisonous substances, which it is possible may be administered to you, will not affect your intelligence; ill, indeed, they may make you, but never criminal.

(pp. 431 – 432)

This book is definitely not for everyone. But if you are a serious student of the occult, then it is indispensible. Thanks for stopping by and reading my musings. I hope you have a blessed day.

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Lady Mechanika Vol. 3: The Lost Boys of West Abbey

I was introduced to Lady Mechanika when I picked up an issue from a Free Comic Day event. I really loved the writing and the steampunk artwork, so I made a mental note that I would read a little deeper. Anyway, I was recently at the Silicon Valley Comic Con, and there was a table there with M.M. Chen, one of the writers of Lady Mechanika. I talked with her for a bit and was ready to buy a volume and have her sign it (notice her signature on the picture). I had every intention of buying the first volume, but she suggested getting Volume 3, since she said it provides some back story and is actually a great place to start, so I took her suggestion. Hey, the writer should know, right?

The books is short, but beautifully illustrated and the story is really engaging. Lady Mechanika collaborates with a police detective, Inspector Singh, to track down a person who is kidnapping and killing homeless children. It is discovered that the killings are related to some twisted experiments that are based upon concepts from Jewish mysticism, so they consult with a Rebbe to solve the case. I have to admit, the blending of steampunk and Jewish mysticism really works well.

The investigators, with the help of the Rebbe, discover that the killer is combining blood magic with Hebrew mysticism in an attempt to create a golem. The Rebbe explains to them what a golem is.

A soulless creature, made from clay and given life by magic. The golem has no free will or intelligence. It is a mindless servant of its creator and must obey his commands. In our legends, they were created to perform laborious tasks, or to protect and defend the community. They can work tirelessly, and cannot be destroyed except by the magic with which they were created.

I have to say, I am thoroughly impressed with this book. I will definitely be getting Volume 1 in the near future.

Thanks for stopping by, and keep reading cool stuff.

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“Tao Teh Ching: Chapter 53” by Lao Tzu

If only I had the tiniest grain of wisdom,
I should walk in the Great Way,
And my only fear would be to stray from it.

The Great Way is very smooth and straight;
And yet the people prefer devious paths.

The court is very clean and well garnished,
But the fields are very weedy and wild,
And the granaries are very empty!
They wear gorgeous clothes,
They carry sharp swords,
They surfeit themselves with food and drink,
They possess more riches than they can use!
They are the heralds of brigandage!
As for Tao, what do they know about it?

The first stanza of this passage is a beautiful expression of humility. One does not need to seek lofty goals of some grandiose idea of enlightenment; all that is needed is one tiny grain of wisdom to keep you on the spiritual path.

The idea of simplicity is put forth in the second stanza. Lao Tzu asserts that while many people seek the paths of dogma and structured religious practice, the simpler way is preferred. All one needs to do is sit alone quietly, or gaze upon a stream, or walk along a forest path, and one can discover the Great Way.

The third stanza is more of an admonishment to those who strive after riches and material overabundance. These become such all-encompassing obsessions that those who follow the path of material gain become blind to the Way of the Tao. Basically, in common terms, dying with the most toys does not make one the winner.

I hope you found this post inspiring. Have a blessed day, and keep reading and thinking.

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Hellboy Omnibus Volume 2: Strange Places

The more Hellboy I read, the more I appreciate the quality and depth of these graphic novels. This volume is brimming with literary and occult references: H.P. Blavatsky, the kabbalah, the tetragrammaton, Edgar Allan Poe’s “The Conqueror Worm,” and Samuel Taylor Coleridge’s “Rime of the Ancient Mariner,” just to name a few. So while the books can be enjoyed solely for the entertainment value and the artwork, there are also layers of references and symbolism that deeper readers will find engaging.

In the book, the conqueror worm becomes a symbol for the cyclical decline of the human race, out of which a new race of humans will ultimately evolve.

… and we are all to be nothing but food for a conquering worm. It’s true. The worm is ringing down the curtain on the human race. For a while now all will be gravel and smoke. But look back to the beginning. Mankind was born out of that kind of smoke. The first race of man, the pre-human Hyperboreans… and that was mankind’s golden age… And when the polar ice crushed that world, a new race of man raised itself up from the beasts. The second race. Human… Atlantis. Lemuria. Sumeria. Babylon. Human civilizations come and go, but the human race has endured. Down long, hard centuries…

(pp. 196 – 197)

A symbol that I find very fascinating is the crossroads, and Mignola uses it nicely in this text.

You are now standing at the very crossroads of your life. And all your roads lead to strange places.

(p. 237)

This speaks to me on a personal and global level. From a personal perspective, I feel like I am at one of those points in my life where things are changing, and my life, stable for many years, is now filled with uncertainty and disruption. Not that this is bad, in fact it is good, but it is strange. And on the global level, I sense that the world is at a crossroads, that our entire reality is about to change, and we will all be thrust into a “strange place,” regardless of which road we collectively traverse. These are strange days, indeed.

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“Transcendental Magic: Its Doctrine & Ritual” by Eliphas Levi: Part 1 – Doctrine

Many years ago, I owned a small business that was next door to a used book store. I had a nice little barter deal going with them, where they gave me books and I provided them with food and beverages. They knew the kinds of books I was interested in, and would let me know when books arrived that might be of interest. This was one of those books, and it has been on my shelf for 15 years, but I am finally getting around to reading it. I believe that we read books exactly when we are supposed to.

Eliphas Levi was a nineteenth-century occultist and magician, whose real name was Alphonse Louis Constant. “’Éliphas Lévi’, the name under which he published his books, was his attempt to translate or transliterate his given names ‘Alphonse Louis’ into the Hebrew language.” (Source: Wikipedia) The text that I have is translated from the French original by Arthur Edward Waite, famous occultist and poet, best known as the co-creator of the popular Rider-Waite Tarot Deck.

The book is divided into two parts: Doctrine and Ritual. I finished reading the first half of the book, and decided to take a break, allow myself to digest what I read, and share my thoughts. I plan on reading the Ritual portion in the near future and will write about that half when I’m done.

As with all great occult texts, much is hidden for the reader to discover, and this book is no exception. In his introduction, Levi points out that the structure of the text is symbolic.

The numbers and subjects of the chapters, which correspond in both parts, are in no sense arbitrary, and are all indicated in the great universal key, of which we give for the first time a complete and adequate explanation.

(p. 31)

As mentioned already, the text is in two parts, itself symbolic of divine duality: masculine/feminine, body/spirit, positive/negative, theory/application, as above-so below, and the list goes on. But now it gets deeper. Each of the two sections contains 22 chapters. These correspond to the 22 letters of the Hebrew alphabet, and to the 22 cards that comprise the Major Arcana in the tarot. This makes sense, since Levi stresses the importance and power of kabbalah and tarot as complete magical systems. So with this foreknowledge, each chapter should be read and interpreted through the lens of the corresponding tarot card, and the kabbalistic meaning of the corresponding Hebrew letter. Now, this level of interpretation is way beyond the scope of this blog post, so suffice to say that if you are not familiar with these magical systems, then this is not a text you should be attempting to read.

In the first chapter of the Doctrine (for correspondences, think Aleph and The Fool), Levi provides a definition of magic for those who are starting out on the path.

Before proceeding further, let us define Magic in a sentence. Magic is the traditional science of the secrets of Nature which has been transmitted to us from the Magi. By means of this science the adept is invested with a species of relative omnipotence and can operate superhumanly—that is, after a manner which transcends the normal possibility of men.

(p. 36)

So essentially, the study of magic is the study of the hidden laws of Nature. For me, this is why I see a strong relationship between physics and the occult. Both seek to understand the laws of Nature which form the inner and outer universes. Once an understanding of the natural laws is gained, then one can manipulate reality based upon interaction with forces that exist at the quantum level. But know that these things should not be taken lightly. Remember the Fool as he is about to step blindly off the cliff if he fails to heed the warning from the dog.

OK, if you’ve followed me this far and your head has not exploded yet, then you are ready for the last thing I want to talk about regarding the Doctrine. I’ll begin by citing Levi again.

Diseased souls have an evil breath and vitiate their moral atmosphere – that is, they combine impure reflections with the Astral Light which permeates them and establish unwholesome currents therein. We are often assailed, to our astonishment, in society by evil thoughts which would have seemed antecedently impossible and are not aware that they are due to some morbid proximity. This secret is of high importance, for it leads to the unveiling of consciences, one of the most incontestible and terrible powers of Magical Art. Magnetic respiration produces about the soul a radiation of which it is the centre, and thus surrounds it with the reflection of its own works, creating for it a heaven or hell. There are no isolated acts, and it is impossible that there should be secret acts; whatsoever we will truly, that is, everything which we confirm by our acts, remains registered in the Astral Light, where our reflections are preserved. These reflections influence our thought continually by the mediation of the DIAPHANE, and it is in this sense that we become and remain the children of our works.

(p. 108)

So the premise here is that our thoughts have a direct influence on the world around us. Basically, our thoughts create our realities. Now if this seems a little “new agey” you should know that this is supported by scientific experimentation in quantum physics. Photons react based upon the intended way that researchers choose to measure them. If it is decided to measure them as waves, then they become waves. If it is decided to measure them as particles, then they become particles. But they can only be one or the other, not both. Essentially, our thoughts and our will impact the structural reality of the world around us at a sub-atomic level. If you want to learn more about this, check out this article from Science Magazine.

So I have barely scratched the surface of the first half of this dense book. But that is all I feel I should share. Those who are interested in these studies can explore the text on their own. I will be sharing my thoughts on the Ritual portion of the book once I finish that. Until then, keep reading cool and interesting stuff.

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“Tao Teh Ching: Chapter 52” by Lao Tzu

Image Source: Wikipedia

All-under-Heaven have a common Beginning.
This Beginning is the Mother of the world.
Having known the Mother,
We may proceed to know her children.
Having known the children,
We should go back and hold on to the Mother.
In so doing, you will incur no risk
Even though your body be annihilated.

Block all the passages!
Shut all the doors!
And to the end of your days you will not be worn out.
Open the passages!
Multiply your activities!
And to the end of your days you will remain helpless.

To see the small is to have insight.
To hold on to weakness is to be strong.
Use the lights, but return to your insight.
Do not bring calamities upon yourself.
This is the way of cultivating the Changeless.

I love this passage and read it several times today.

The first stanza expresses the interconnectedness between all beings. We are all born from the Earth, we all coexist upon the Earth, and in the end, we will all return to the Earth. It is only our egos which delude us into thinking we are separate. We are not. We are all one, all intrinsically connected, and should keep this in mind when dealing with each other.

The second stanza describes how meditation and contemplation are the paths to happiness, fulfillment, and ultimately, spiritual evolution. We all know that we must seek within if we seek the truth, or connection with the divine. The external is but a distraction. I believe it was Nietzsche who said something to the extent that wisdom comes in one’s stillest hour.

The third stanza sums everything up. Take time to notice and appreciate the small miracles happening around you at all times. Strive for simplicity, and avoid undue complexities that lead to stress and anxiety. Practice compassion, with others and yourself. And most importantly, take time for introspective reflection. Do these things, and happiness will flourish.

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