Tag Archives: myth

“American Gods: The Moment of the Storm” by Neil Gaiman: Issue #07

People believe. It’s what people do. They conjure things, and then do not trust the conjurations. They populate the darkness with ghosts, with gods, with electrons. People imagine and people believe. And it is that belief that makes things happen.

There is a lot of truth here. Our thoughts play a tremendous part in the manifestation of our realities. When we step back and consider the fear, mistrust, anger, and cynicism of the past couple decades, should it be all that surprising that we find ourselves in the current socio-political climate?

But I for one am seeing things that give me hope and inspiration, and I am making a conscious effort to believe in the better possibilities. Because let’s face it—all possibilities exist. But the possibilities which receive the most energy are the ones most likely to actualize.

Thanks for believing.

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Lady Mechanika Vol. 3: The Lost Boys of West Abbey

I was introduced to Lady Mechanika when I picked up an issue from a Free Comic Day event. I really loved the writing and the steampunk artwork, so I made a mental note that I would read a little deeper. Anyway, I was recently at the Silicon Valley Comic Con, and there was a table there with M.M. Chen, one of the writers of Lady Mechanika. I talked with her for a bit and was ready to buy a volume and have her sign it (notice her signature on the picture). I had every intention of buying the first volume, but she suggested getting Volume 3, since she said it provides some back story and is actually a great place to start, so I took her suggestion. Hey, the writer should know, right?

The books is short, but beautifully illustrated and the story is really engaging. Lady Mechanika collaborates with a police detective, Inspector Singh, to track down a person who is kidnapping and killing homeless children. It is discovered that the killings are related to some twisted experiments that are based upon concepts from Jewish mysticism, so they consult with a Rebbe to solve the case. I have to admit, the blending of steampunk and Jewish mysticism really works well.

The investigators, with the help of the Rebbe, discover that the killer is combining blood magic with Hebrew mysticism in an attempt to create a golem. The Rebbe explains to them what a golem is.

A soulless creature, made from clay and given life by magic. The golem has no free will or intelligence. It is a mindless servant of its creator and must obey his commands. In our legends, they were created to perform laborious tasks, or to protect and defend the community. They can work tirelessly, and cannot be destroyed except by the magic with which they were created.

I have to say, I am thoroughly impressed with this book. I will definitely be getting Volume 1 in the near future.

Thanks for stopping by, and keep reading cool stuff.

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“American Gods: The Moment of the Storm” by Neil Gaiman: Issue #5

Look, this is not a good country for gods. My people figured that out early on. There are creator spirits who made the earth and so we say thank you. But we never built churches. The land was our church. It gave us salmon and corn and buffalo, and wild rice. You follow that river for a way, you’ll get to the lakes where the wild rice grows. You go far enough south, there are orange trees, lemon trees, and those squishy green things… avocados. What I’m saying is that America is like that. It’s not good growing country for gods. They’re like avocados trying to grow in wild rice country.

It’s a strange paradox that a country with a strong fundamentalist movement would not be fertile ground for gods. To me it seems more like we choose to collectively idolize the wrong things, or choose our gods for the wrong reasons. We love our distractions, we love our teams, we want to be a part of a community, we want to be freed from our guilt and shame, and so on. America is a country of “God, Guns, and Guts.” Personally, I have a difficult time reconciling those three things in my life.

There is a palpable feeling that we are on the cusp of a major global shift, that this is the “moment of the storm.” It will be curious to see how things play out in the next few years.

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Hellboy Omnibus Volume 2: Strange Places

The more Hellboy I read, the more I appreciate the quality and depth of these graphic novels. This volume is brimming with literary and occult references: H.P. Blavatsky, the kabbalah, the tetragrammaton, Edgar Allan Poe’s “The Conqueror Worm,” and Samuel Taylor Coleridge’s “Rime of the Ancient Mariner,” just to name a few. So while the books can be enjoyed solely for the entertainment value and the artwork, there are also layers of references and symbolism that deeper readers will find engaging.

In the book, the conqueror worm becomes a symbol for the cyclical decline of the human race, out of which a new race of humans will ultimately evolve.

… and we are all to be nothing but food for a conquering worm. It’s true. The worm is ringing down the curtain on the human race. For a while now all will be gravel and smoke. But look back to the beginning. Mankind was born out of that kind of smoke. The first race of man, the pre-human Hyperboreans… and that was mankind’s golden age… And when the polar ice crushed that world, a new race of man raised itself up from the beasts. The second race. Human… Atlantis. Lemuria. Sumeria. Babylon. Human civilizations come and go, but the human race has endured. Down long, hard centuries…

(pp. 196 – 197)

A symbol that I find very fascinating is the crossroads, and Mignola uses it nicely in this text.

You are now standing at the very crossroads of your life. And all your roads lead to strange places.

(p. 237)

This speaks to me on a personal and global level. From a personal perspective, I feel like I am at one of those points in my life where things are changing, and my life, stable for many years, is now filled with uncertainty and disruption. Not that this is bad, in fact it is good, but it is strange. And on the global level, I sense that the world is at a crossroads, that our entire reality is about to change, and we will all be thrust into a “strange place,” regardless of which road we collectively traverse. These are strange days, indeed.

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Hellboy Omnibus Volume 1: Seed of Destruction

So over the years, I have read numerous off-shoot and stand-alone issues of Hellboy, but had not read the primary arcs, which was why I was excited when I heard they were publishing an omnibus series containing the complete saga. This first volume contains five stories, as well as some artist sketches and a little bit of history about the development of the characters and story. The stories are brimming with material that interests me: paranormal investigation, the occult, conspiracy theories, mythology, social criticism, and so forth. And the great storytelling is augmented with artwork that fits well with the overall theme. Also, what is so cool about this book is that Mike Mignola is both writer and artist, an impressive accomplishment.

While all the stories in this volume are great, I want to focus on the last one, “Almost Colossus,” which explores concepts of God, science, the relationship between creator and creation. It’s kind of like a reworking of the Frankenstein story.

Anyway, couple quotes that are worth sharing.

“Brother, you think these humans are our betters. Not so, believe me. We two are the triumph of science over nature. Mankind to us should be like cattle, ours to use for whatever purpose we decide. We are not monsters, but the future and the light of the world!”

(p. 304)

Here we have a classic expression of hubris. The created, or creature, begins to feel superior to the creator, and employs scientific logic to back up the claim. I see this as symbolic of the human impetus to feel godlike through the acquisition of knowledge and power. And not just equal to God, but greater than God.

“Today the light of the world will be born again, and from this day forward mankind will bow and scrape before the God of Science.”

(p. 318)

This is a definite reference to the Prometheus myth, as well as the myth of Lucifer as the light bearer. Science has replaced God for many people in this age. And although I consider myself a spiritual person, and have faith in a divine consciousness, I confess that I find myself irritated at people who disregard scientific evidence because it conflicts with their established religious beliefs. As much as I hate to admit it, I too often bow before the God of Science.

While this book has challenging ideas woven in, it is still a fun and entertaining read. If you are a fan of the graphic novel genre and have not read Hellboy, I highly recommend checking it out.

Thanks for stopping by, and have an incredible day.

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Change and Transformation in “The Two Gentlemen of Verona” by William Shakespeare

This was my first time reading this Shakespearean comedy. Before diving into the text, I read a quick synopsis online, which said that this is considered to be the first play that Shakespeare wrote. It’s also considered to be one of his worst plays. Granted, the ending did make my eyes roll, but that said, even a bad Shakespeare play is better than a lot of other stuff I’ve read.

The theme of change and transformation really stood out for me when I read this, so I decided to focus my blog post on this concept.

The importance of change and transformation is made evident immediately by Shakespeare naming on of the main characters Proteus, after the Greek sea god associated with mutability.

Some who ascribe to him a specific domain call him the god of “elusive sea change”, which suggests the constantly changing nature of the sea or the liquid quality of water in general. He can foretell the future, but, in a mytheme familiar to several cultures, will change his shape to avoid having to; he will answer only to someone who is capable of capturing the beast. From this feature of Proteus comes the adjective protean, with the general meaning of “versatile”, “mutable”, “capable of assuming many forms”.

(Source: Wikipedia)

Early in the play, Proteus claims that his love for Julia has changed him on a deep level.

Thou, Julia, thou hast metamorphosed me,
Made me neglect my studies, lose my time,
War with good counsel, set the world at nought;
Made wit with musing weak, heart sick with thought.

(Act I; scene i)

But true to his nature, Proteus changes his mind, and decides to disregard his love for Julia in the pursuit of his desire for Silvia, whom is the object of his friend Valentine’s love. Proteus betrays his friend to the Duke (Silvia’s father), who with a twist of irony, asserts that he believes that Proteus is trustworthy and constant in his love for Julia.

And, Proteus, we dare trust you in this kind,
Because we know, on Valentine’s report,
You are already Love’s firm votary
And cannot soon revolt and change your mind.

(Act III; scene ii)

In addition to Proteus’ mental transformations, Shakespeare also has Julia go through a gender transformation, where she takes on the appearance of a young boy. When she finally reveals herself to Proteus, she claims that love makes women change their shapes and men change their minds, which I interpret to mean that men have a tendency to lust after other women, and that, women in order to maintain a man’s interest, must constantly be transforming their appearances to make sure they remain attractive.

O Proteus, let this habit make thee blush!
Be thou ashamed that I have took upon me
Such an immodest raiment, if shame live
In a disguise of love.
It is the lesser blot, modesty finds,
Women to change their shapes than men their minds.

(Act V; scene iv)

There are many more examples of change in the play to support the overall theme, such as the use of the chameleon as a metaphor, changes in music that is being performed, changes in appearance, and people changing their minds. Obviously, Shakespeare knew what we all know, that the only thing that is constant is change.

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“American Gods: The Moment of the Storm” by Neil Gaiman: Issue #4

I didn’t write about the last couple issues, not because they weren’t great (they were!), but because they didn’t include any quotes that I thought were worth looking at more closely. But this one certainly did.

Early in this issue, Shadow is entering the realm of the dead, after being sacrificed on the World Tree. He meets a cat woman, who seems to be some sort of spirit guide in the underworld. When Shadow inquires about her nature, her response is very intriguing.

Shadow: What are you? Who are you people?

Cat-woman: Think of us as symbols — we’re the dream humanity creates to make sense of the shadows on the cave wall.

This immediately made me think of Plato’s allegory of the cave from The Republic. Everything we perceive in this reality is but a shadow of a form that exists in another plane of existence. And we cannot comprehend the forms in their true essence, so we must approach them through the use of symbolism, which allows our subconscious mind fleeting glimpses of understanding, impressions of what thrives beyond our limited scope of awareness.

I know this is heavy stuff, and Gaiman’s work is very complex. But that said, he is a master storyteller, so he presents heady material within the structure of fun and imaginative tales.

That’s all I have to share for today. Thanks for stopping by.

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