Faith in Literature: Contemporary Writers of the Spirit

This past weekend was one that was filled with gratitude and inspiration: gratitude for friends in my life and inspiration from listening to writers who use the written word as a way to express spirituality.

My friend Rick Chess is a poet and professor at University of North Carolina in Asheville, and he was one of the organizers of the Faith in Literature festival. He graciously invited my wife and me to attend some amazing sessions, including two conversations hosted by Krista Tippett that were recorded for possible broadcast on her “On Being” radio show, as well as an intimate luncheon with Krista and other distinguished guests. I am extremely grateful to Rick and thankful that he is a part of our lives.

The first conversation occurred on Friday evening, between Krista and poet Marilyn Nelson. One of the themes of the discussion that resonated with me was about the connection between poetry and silence. Marilyn explained that poetry taps into the silence within us, that it comes from silence and evokes silence. This strengthens the importance of poetry in an age where people are increasingly afraid of their inner silence and attempt to escape that silence through technology. Marilyn and Krista also discussed poetry as a form of contemplation and how poetry can help individuals rediscover reality.

On Saturday afternoon, my wife and I attended a luncheon at the chancellor’s house where Ms. Tippett and the other writers were in attendance. The food was delicious, and it felt nice to be included with such talented and spiritual individuals.

After lunch, we attended a conversation between several writers, which was very inspiring and prompted us to purchase several books and get them signed.

Finally, the closing event on Saturday evening was a conversation between Krista Tippett and Pulitzer Prize winner Isabel Wilkerson, discussing Wilkerson’s book The Warmth of Other Suns, which details the Great Migration through the lives of three protagonists. This was such a powerful conversation, particularly in regard to current racial tensions, the ongoing refugee crisis, and the need for “radical empathy.” I loved the way they described empathy as “not pity or sympathy, but the ability to get inside another person and understand how they feel.” I think if we all started practicing radical empathy, the world would be a different place.

Needless to say, my pile of books to be read has increased over the weekend. Here is the list of books I bought, all of which were signed by the authors. I hope to share my thoughts on these in the near future.

• Tekiah by Rick Chess
• The Beautiful Possible by Amy Gottlieb
• Kohl & Chalk by Shadab Zeest Hashmi
• Becoming Wise: An Inquiry into the Mystery and Art of Living by Krista Tippett
• The Warmth of Other Suns by Isabel Wilkerson

Scarlet Witch: Issue #05

I had mixed feelings about this issue. There were aspects that I really liked, and then there were things about it that I thought failed.

I’ll start with what I liked. I loved the concept and the story. Wanda is asked to investigate cases of possession at a vineyard in Spain that is operated by the Catholic Church. It is made known that the vineyard was once a nunnery and during the Inquisition, the nuns were accused of witchcraft and burned on the site. So it’s not surprising that issues of misogyny and religious prejudice are addressed, and they are done so in a very engaging and creative way which works really well. In addition, as a twist, people become possessed as a result of speaking (the nuns had taken a vow of silence and whoever speaks breaks the vow and becomes possessed), so the central bulk of the story is driven solely through images, and textual dialog only occurs at the beginning and the end. I found this very creative, and having the image-driven section flanked by the text-driven sections was interesting and engaging.

But this leads me to the problem with this issue: the artwork. For a story that is so image-focused and that is basically driven by the visuals, the artwork seemed flat. It almost felt like this was thrown together in a rush to meet a deadline. The characters lacked depth and expression, and many of the panels looked like duplicates where Photoshop was used to slightly alter the images. For a story that relies so heavily on the graphics, more time and energy should have been invested in the artwork. That’s just my opinion. Also, I checked my older issues and there was a new artist for this installment. I wonder if something happened that resulted in a last-minute change of artists. Regardless, I would rather have waited for something a little better, but I guess Marvel has a schedule they must adhere to.

Anyway, like I said, the story is really good and that alone makes this worth reading. That said, I’ll leave you with a snippet of dialog from the early pages that addresses prejudice and open-mindedness, important issues in these times:

Wanda: I’m sorry if my being a witch upsets him.

Sister Lorenz: You’re a woman, Wanda, and you have power in the world. You’re known. That’s more than enough to upset a man like Father Gabaldon, even before you start casting spells.

Wanda: You, on the other hand, Sister… My being a witch doesn’t bother you?

Sister Lorenz: Oh, I’m very much a bride of Christ, but like my Savior, I keep an open mind on all things.

 

“When We Two Parted” by Lord Byron

Lord Byron

I realized that I had not covered much of Lord Byron’s poetry on my blog, so I figured I’d read one of his early poems today.

When we two parted
In silence and tears,
Half broken-hearted
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.               

The dew of the morning
Sunk chill on my brow—
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame:
I hear thy name spoken,
And share in its shame.              

They name thee before me,
A knell to mine ear;
A shudder comes o’er me—
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well:
Long, long shall I rue thee,
Too deeply to tell.         

 In secret we met—
In silence I grieve,
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?
With silence and tears.

My impression of this poem is that Byron is writing about the end of a clandestine love affair, likely with a married woman. For a romantic poet, there is nothing quite as enticing as the forbidden fruit. An intimate relationship of this nature certainly would have stirred Byron’s passion.

This poem reminds me a lot of Goethe’s early romantic work, The Sorrows of Young Werther. In fact, I would not be surprised if Goethe’s book influenced Lord Byron when he composed this piece. There are definite similarities.

In the poem, there is an emphasis on silence and things not spoken, which is the nature of an adulterous relationship. Byron is unable to speak and express his inner feelings. He must love and suffer in silence.

It appears that after the two lovers part, that Byron’s acquaintances talk about her. It seems probable that the two had the same circle of friends. Each time he hears her name, it stirs emotions—shame, longing, sadness, love. But he must remain silent and keep his feelings hidden inside. He suffers alone.

Finally, I get the sense that Byron feels he will never experience a love as intense and passionate as this one again. This was the pinnacle of romance. He will live the rest of his life unable to achieve the level of intimacy that he experienced then had to let go.