Tag Archives: social issues

Thoughts on “American Gods: My Ainsel” by Neil Gaiman: Issue 01

This series has been on a long hiatus, but is finally back. While the artwork is not the best, the writing and the storyline are both excellent. But then again, I have not read anything by Neil Gaiman that I did not like.

There are a couple passages in this issue that are worth mentioning.

The really dangerous people believe that they are doing whatever they are doing solely and only because it is without question the right thing to do.

I agree 100%. The pages of history are filled with stories of self-righteous fanatics who committed heinous acts because they were somehow convinced that they were doing the right thing. And this continues to this day. Any social or political issue that is contentious will have people convinced that they are on the right side of the argument, and will use that belief to justify their behaviors and actions.

There’s our bookstore. What I say is, a town isn’t a town without a bookstore. It may call itself a town, but unless it’s got a bookstore, it knows it’s not foolin’ a soul.

I am grateful that I live in a city that boasts several very good bookstores, and I try to support them as much as my finances allow. But just knowing they are there, being able to go in, peruse the aisles, get a coffee, is important to me. There is just something about a bookstore that fosters a connection, for me anyway. I feel that when I am in a bookstore, I am surrounded by kindred spirits.

Anyway, not much more to share about this. Hope you have an inspiring day, and get thee to your local bookstore soon.

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Evolution: #02

This graphic series is good so far. The story demands attention from the reader, since it basically weaves three storylines together around a central plot. I suspect that the creative team will eventually weave this all into a grotesquely intricate tapestry of science fiction horror. I’m looking forward to how the tale will progress.

Because of the structure of this tale, it is difficult to critique it, since the story still feels fragmented (in a good way), and feels like the characters are still being developed and the background story established. But there is an interesting passage regarding evolution that is worth sharing.

Evolution never stopped. There are still changes happening all around us. Bedbugs disappeared for almost 50 years, then came back with a vengeance, aided by a new exoskeleton and a faster metabolism. Moscow dogs that learn to ride the subway, knowing which stop to get off at. Cardiologists whose exposure to x-rays increased the hydrogen peroxide levels in their blood, leading to more glutathione, which helps protect them from radiation. Fundamental changes on a cellular level. The ones we know about. There are new species we’re still discovering. People living in remote, extreme areas, who never see a doctor, never mingle with civilization. Evolution used to be slow, methodical. A defensive measure to adapt life to new conditions. Now it’s fast, brutal and playing offense.

What I find interesting about this passage is that it is very plausible, especially when you consider how rapidly things change in our highly technical world. Everything moves faster and faster, so it stands to reason that evolution would also have to speed up to keep pace with global changes. Consider how fast viruses and bacteria mutate now, exhausting our antibacterial resources. It certainly is worth exploring through sci-fi literature.

Thanks for stopping by, and keep reading interesting stuff.

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“Tao Teh Ching: Chapter 37” by Lao Tzu

Tao never makes any ado,
And yet it does everything.
If a ruler can cling to it,
All things will grow of themselves.
When they have grown and tend to make a stir,
It is time to keep them in their place by the aid of the nameless Primal Simplicity,
Which alone can curb the desires of men.
When the desires of men are curbed, there will be peace,
And the world will settle down of its own accord.

Wow! When I read this passage this morning, I was struck by how pertinent it is to our current paradigm. Our reality is dominated by complexity, the antithesis of simplicity. This global complexity only serves to fuel desire: desire for more wealth, desire for newest technology, even, ironically, the desire for simplicity.

How can we escape this situation and return to Primal Simplicity? I don’t think there is a simple answer. Complex problems require complex solutions. For myself, I have been meditating regularly, trying to live consciously and scale back, and minimizing my exposure to news hype and social media. Another thing I have been attempting to incorporate into my life is something I heard Anderson Cooper talking about on the 10% Happier podcast. Cooper said he has stopped multitasking and instead practices “monotasking.” It was so counterintuitive to the dominant thought of most people, myself included at the time, that it struck me as the obvious slapping me in the face. We think that multitasking will help us manage our time more efficiently, but it doesn’t. It only adds to the complexity that is overwhelming our society and our selves. We can all stand to simplify.

I am getting ready to go out for breakfast with my family. I will not look at my smartphone during that time. I will simply sit, eat, and share time with the people I love.

Thanks for stopping by, and please feel free to share any suggestions you have on how to move closer to simplicity.

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Evolution: #01

I recently went with my older daughter to the local comic store. While we were there, she pointed out to me a new comic called Evolution. She was very excited because she had done an internship at Skybound and was tasked with reading the early scripts for this graphic tale. She strongly encouraged me to buy it, saying it was really good and I would like it. There were two installments available, so I purchased both.

This first issue piqued my interest. There is not a lot to write about, since it is basically some background story and the introduction of the principal characters. My daughter told me that there are three story lines woven together and that it will get very good. I’m looking forward.

I will share a quote from Christopher Sebela, one of the writers, which is included at the end of this issue. He shares about how the socio-political uncertainty of the 1980s influenced his interest in horror and ultimately served as inspiration for this story.

Horror is about the personal apocalypse, the destruction of a human body, of a group of friends or a family or the very idea of safety. It’s about the things you trust the most betraying you, standing over you with an axe in its hands, unable to be reasoned with or avoided. With EVOLUTION, we’re setting out to destroy all of that and more, building a world where nothing and no one can be trusted, where even our bodies themselves don’t belong to us. For a kid who used to stay up late watching horror movies my mom never knew about and who spent his days wondering when the air raid sirens would go off and we’d all be vaporized into shadows, this book has been a lifetime in the making for me.

That’s all I have to share for now. I may have more to say after I read issue #02. Cheers!

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Hellboy and the B.P.R.D 1955: Secret Nature

I love when comics weave important social messages into the stories. This particular tale deals with racial discrimination, particularly directed toward African Americans.

Hellboy, a somewhat grotesque red monster, is on assignment with Woodrow Farrier, a young black man with a Ph.D in Biological Sciences from the University of Chicago. They meet and speak with a white rancher, who makes some disparaging comments directed towards Woodrow. Later, Hellboy inquires about whether or not this treatment bothers Woodrow:

Hellboy: Hey, about that? Does it ever get to you?

Woodrow: What? You mean the fact that people are more accepting of a big red guy with horns and a tail than they are a black man?

Hellboy: Yeah. I figure it can’t be easy.

Woodrow: Of course it’s not easy, Hellboy! Welcome to the world.

This short conversation speaks volumes about the plight of black people. It is high time we stopped judging people by their outsides.

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Vampirella: Issue #3

This issue could have been called “Campirella.” It’s a nod to the pulp fiction genre that began in the late 1800s and continued through the 1950s. The artwork, style, and content all recall the campiness of the genre.

Pulp magazines (often referred to as “the pulps”) were inexpensive fiction magazines that were published from 1896 to the 1950s. The term pulp derives from the cheap wood pulp paper on which the magazines were printed; in contrast, magazines printed on higher quality paper were called “glossies” or “slicks”. The typical pulp magazine had 128 pages; it was 7 inches (18 cm) wide by 10 inches (25 cm) high, and 0.5 inches (1.3 cm) thick, with ragged, untrimmed edges.

The pulps gave rise to the term pulp fiction in reference to run-of-the-mill, low-quality literature.

Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many respected writers wrote for pulps, the magazines were best known for their lurid, exploitative, and sensational subject matter. Modern superhero comic books are sometimes considered descendants of “hero pulps”; pulp magazines that often featured illustrated novel-length stories of heroic characters, such as The Shadow, Doc Savage, and The Phantom Detective.

(Source: Wikipedia)

Growing up, there were still pulp magazines available at the local stationary store. I used to read the campy detective magazines, as well as the graphic horror and science fiction. Although these publications were deemed the antithesis of literature, they did foster a love of reading for me which continues to this day.

There is something disturbingly timely in this bizarre throw-back issue. Vampirella is imprisoned in a concentration camp along with a variety of other individuals deemed to be social deviants. This included people of different ethnicities, LGBTQ persons, as well as individuals of different religious beliefs. And while the work camp is clearly a reference to the Nazi concentration camps, the people who are imprisoned there are the same groups who are currently being targeted here in the U.S.

At one point, the Commandant tells Vampirella why there will always be people to keep the factory running.

We have the world to choose from. There will always be malcontents.

The terrible truth of this statement is that a fearful and intolerant society will always find individuals and groups to direct their hatred and fear toward. Humans continue to exploit those who they see as different, and blame the “others” for their difficulties. Hopefully, one day we will transcend this cycle, at which point magazines like this will become a curiosity instead of a sad social commentary.

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The X-Files – Issue 10

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I keep swinging back and forth in this arc. Sometimes I want to just stop reading it, but then it proves just interesting enough to keep me reading.

This was one of those issues. It is somewhat choppy; artwork is OK, but not great; and the storyline is fuzzy at best. But it draws on the Iran-Contra scandal, which I feel has gotten buried and lost in an age of memes, flashy click-bait, and sensationalism. And for that alone, I am glad I read this.

There is a great passage where Mulder recounts the key points of Iran-Contra, which I feel is worth sharing.

“Iran-Contra was an appalling, almost impossible to believe travesty of constitutional subversion. It had everything. Arms sold to the Iranians, our ‘80s-sized enemy, to pay ransom for American hostages being held in Lebanon. Money, in turn, funneled to arm rebellion against elected leftist governments and to fund illegal Central American wars. A direct assault on both sovereignty and democracy. We’re talking about assassinations and indiscriminate destruction of land and history. Death squads became common. Men securely positioned within the highest levels of our government were later exposed as running a for-profit shadow operation trafficking in narcotics, influence, and violence.”

It seems like ancient history, but it was really not that long ago. So even though our social and political landscape is shifting at an ever quickening rate, I think it is important that we don’t lose sight or our history.

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