Tag Archives: society

“Pasta Cunegonda” – How Umberto Eco Dealt with a Troll

Umberto Eco

In this short essay included in Turning Back the Clock: Hot Wars and Media Populism, Eco tells the tale of how he had written an article with some pragmatic suggestions on how to take action against the right-wing government controlled media. The article spawned a hateful response from someone who sent Eco a copy of a book that Eco had written, with the word “Shit” written in big red letters across every other page. Rather than succumbing to anger, Eco looked at the event with his usual wit and insight.

I tried to understand the mind and the walk of life of my correspondent. For the psychology, there’s no need of a psychoanalytic session, and I leave it to the reader to draw conclusions. As for the man’s social background, I wonder if he already had the book at home, if he bought it specially, or if he stole it. If he already had the book at home, even if it belonged to his children, he must be a person of some status, which makes the business all the more interesting. If he stole it, theft too can be a form of political struggle, but the people who steal books were usually on the far left, and I would say that this isn’t the case here. Which leaves us with the possibility that he bought it, and if he did, then he spent a certain amount, plus the cost of mailing, in order to give himself this satisfaction. He must have calculated that he wasn’t going to contribute to my personal well-being, given the paltry percentage authors receive on paperbacks, but he didn’t consider the big check I will receive for this article.

(Turning Back the Clock: pp 193 – 4)

In my years of blogging, I have gotten several trollish remarks. After my initial indignation, I did my best to just let them go. But in this age of abundant internet trolling, Eco provides some great advice. There will always be people who disagree with you and feel emboldened to bolster their beliefs by putting you down. The best way to deal with them is with a sense of humor and a touch of empathy. And, if you can use it as inspiration for something creative, then by all means, do so!

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Monstress: Issue #13

It has been quite a while since the last publication in this series, which is acknowledged by the writer and artist.

It’s been a very long break. Maybe too long, but I hope you’ll agree that we used the time wisely to bring you another arc filled with Sana’s extraordinary art, and a story that brings you deeper into Maika’s increasingly perilous quest.

Yes, it was worth the wait. The artwork is stunning and intricately beautiful, while the writing and storytelling are as impeccable as ever. I personally feel that women are doing the most creative work in this genre right now, and Marjorie and Sana exemplify the beauty and complexity that creative women are bringing to the world of graphic storytelling.

There are a couple short but powerful political quotes in this installment that I want to share.

In politics one must be supremely…flexible.

In seven words, this sums up the problem with our current political situation. There is no longer flexibility, and both sides of the political divide have become so polarized and hostile that nothing meaningful gets accomplished anymore. It has turned into an all or nothing game, where staunch opposition is considered a sign of strength. But Taoist thought tells us otherwise. Flexibility and the ability to move with the current instead of against it is a sign of true strength in a leader.

The people just want to feel safe…and believe their government is behind them.

If I had to try to identify the dominant paradigms in today’s society, I would have to say they are fear and a sense of insecurity. And while I believe that much of this fear and uncertainty is manufactured by the media with the intent of keeping people glued to the screen, the feeling is real and affects almost everyone to some extent. This is why people are turning to governments for safety and security, and why they are willing to sacrifice freedoms and humanitarian values in the vain attempt to allay their fear. Sadly, though, I suspect that they will find neither, and in the end will look back with regret on the choices they made.

Anyway, I’m glad that Monstress is back on the shelves. I look forward to the next issue.

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“Hayduke Lives!” by Edward Abbey

This book was difficult to find. I had been keeping an eye out for it for a while, since I am a fan of Edward Abbey and particularly enjoyed The Monkey Wrench Gang, of which Hayduke Lives! is the sequel (published posthumously in 1990). I eventually found a copy at Blue Bicycle Books in Charleston, SC, a cool used and antiquarian bookstore. Anyway, I bought the book and finally got around to reading it.

While I do not think the book is as good as The Monkey Wrench Gang, nor as good as Desert Solitaire, it is decent and worth the read. Basically, the old gang from the first book teams up again to save the environment from the evil government-backed corporate interests seeking to destroy the pristine wilderness for the quick extraction of resources.

The first thing that struck me about this book is how little has changed in the 27 years since it was published. People still believe the lies that raping the environment will create jobs, and that jobs are more important than protecting the planet.

…”good folks of southern Utah and the Arizona Strip, listen to me. I’ll only take a minute, just like everybody else I’ll speak my little piece and let you go. [Crowd resumes seats.] Thank you. Now we heard a lot today, especially in the last ten minutes, from those good neighbors of ourn, Mr. and Mrs. Kathy Smith [laughter] about how dangerous this nuclear industry is. Uranium is poison, they say. Well I want to tell you folks something different: that uranium smells like money to me. [Cheers!] It smells like jobs to me. [More cheers!] Hundreds of jobs right here in Hardrock and Landfill County and and just across the line in northern Arizona. Hundreds? I mean thousands of jobs. [Thunderous applause!]

(p. 22)

Abbey appears to be very critical of the news media. At one point, one of the characters asserts that the only intelligent part of a newspaper is the Letters column.

When looking for wit, wisdom, knowledge or intelligence in a newspaper, any newspaper, your only hope is the Letters column.

(p. 99)

Sadly, though, this is no longer true. With the proliferation of social media and online commenting, comments and letters have sunk to a new low. People now use online commenting to spew vitriol based upon pre-established beliefs about biased news articles. It seems that every day it becomes more and more difficult to find thoughtful and unbiased information regarding world events. It’s kind of sad.

As the book progresses, Abbey paints a bleaker, misanthropic view of humanity. It appears that he acknowledges the good of individuals, but sees the whole of humanity as petty, mean-spirited, and just outright dangerous.

“People are no damn good,” agreed Seldom. “Take ‘em one at a time, they’re all right. Even families. But bunch ‘em up, herd ‘em together, get ‘em organized and well fed and branded and ear-notched and moving out, then they’re the meanest ugliest greediest stupidest dangerest breed of beast in the whole goldang solar system far as I know.”

(p. 228)

Without giving away the story or spoiling anything, I will say that the gang is seeking to stop a machine called GOLIATH, which is a giant earth mover used in strip mining. Symbolically, I see the machine as representing America as controlled by massive corporations, a mindless machine whose only purpose is to acquire and consume in an endless cycle until nothing is left. Abbey implies that it is only through radical action and anarchy that our country has any chance of defeating the leviathan of greed that dominates our world.

He waited, frowning into the gloom, looking two miles west at the glinting strobe light of the Super-G.E.M. He heard no roar of motors. GOLIATH had paused. Was down, waiting. Waiting for him, Hayduke, George Washington Hayduke, father of his country. Not the America that was – keep it like it was? – but the America that will be. That will be like it was. Forward to anarchy. Don’t tread on me. Death before dishonor. Live free or fucking die. Etc., etc.

(p. 274)

Edward Abbey’s earlier works inspired the Earth First! movement, so it was interesting to read Abbey’s commentaries on the movement which were woven into this book. In fact, Earth First! founder Dave Foreman makes a cameo character appearance in the text.

Abbey once stated that “If wilderness is outlawed, only outlaws can save wilderness.” Our planet is still in peril and there is a lot of work to be done on the environmental front. I encourage everyone to do their own small part.

If you want to learn a little more about Edward Abbey, here is a good article on Wilderness.net:

Edward Abbey: Freedom Begins Between the Ears

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Doomsday Clock: No. 1 of 12

I’ve had this comic for a few weeks now, but waited until I had finished Watchmen before reading it. I was on the fence about getting this, but some people that I know said good things about it, so I figured I would give it a shot. Glad I did!

First off, the artwork in this book is stunning. The detail in each panel demonstrates the amount of effort that went in to illustrating this story. While I am no artist, I can appreciate the attention to detail that a great illustrator puts into his or her work. I suspect that anyone reading this will be impressed with the drawings.

But of course, the key to any good story for me is the quality of the writing, which is outstanding. The story picks up where Watchmen left off, after the cataclysmic event that was supposed to unify humanity. But humans being what we are, conflicts again arise and humanity finds itself on the brink of extinction.

While this story is set in the early 1990’s, the creative team draws on current events and weaves the references and symbolism into the text and artwork. There are images of protesters carrying signs demanding that we “Make America Safe Again.” But the clearest example of the connection to current affairs is a series of panels depicting clips from various news sources.

“The President scored a hole in one earlier today, beating his previous record…”

“Less than two weeks into the collapse of the European Union, Russia has amassed its military in Belarus, and is threatening to enter Poland…”

“World leaders have proclaimed they will not stand by if blood is shed…”

“… North Korea now capable of reaching as far inland as Texas.”

“Hundreds have broken through the wall and flooded into Mexico. Thousands more are expected to follow…”

I had a discussion with a friend at a party recently about whether there is a higher level of anxiety about the “end of days” now as opposed to the mid-90’s at the height of the Y2K/millennium fears. I said that I think the anxiety is higher, but it is different. There is almost a sense of resignation associates with these fears, which make it the perfect climate for a story such as this.

Looking forward to the next installment.

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Thoughts on “Watchmen” by Alan Moore and Dave Gibbons

Watchmen has been on my reading list for quite a while, and I finally got around to it. I was somewhat concerned that the book would not live up to my expectations, but I am happy to say that it did. Now the challenge is what to write about it. There is so much that can be said about this deep psychological assessment of our society, with each character representing a modern archetype. I figured I would just talk about some of the book’s darker visions of society and where our society seems to be heading.

It seems to me that many people prefer to be blissfully unaware and ignorant of the future that appears to be racing toward us, and this sentiment is poetically expressed in the text.

Others bury their heads between the swollen teats of indulgence and gratification, piglets squirming beneath a sow for shelter… but there is no shelter… and the future is bearing down like an express train.

(p. 68)

Later in the book, one of the protagonists, Rorschach, presents his dismal view of human existence.

Looked at the sky through smoke heavy with human fat and God was not there. The cold, suffocating dark goes on forever, and we are alone. Live our lives, lacking anything better to do. Devise reason later. Born from oblivion; bear children, hell-bound as ourselves; go into oblivion. There is nothing else. Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs. It’s us. Only us.

(p. 204)

So we are presented with a meaningless world full of hatred, fear, anxiety, insanity, greed, and countless other social ills. Faced with such a bleak view, the next logical question is whether humanity is worth saving, worth fighting for. This is the question that the characters Laurie and Jon debate in the book. Jon initially does not believe that human life matters, but then changes his mind. When Laurie asks what caused him to alter his view, Jon explains:

Thermo-dynamic miracles… events with odds against so astronomical they’re effectively impossible. Like oxygen spontaneously becoming gold. I long to observe such a thing. And yet, in each human coupling, a thousand million sperm vie for a single egg. Multiply those odds by countless generations, against the odds of your ancestors being alive; meeting; siring this precise son; that exact daughter… until your mother loves a man she has every reason to hate, and of that union, of the thousand million children competing for fertilization, it was you, only you, that emerged. To distill so specific a form from that chaos of improbability, like turning air to gold… that is the crowning unlikelihood. The thermo-dynamic miracle.

(pp. 306 – 7)

This provided me with the light I needed to find hope in this dark vision of our world. We are surrounded by miracles. Every single one of us is a living, breathing miracle, whose very existence defies all odds. And this is something I will keep in mind as I continue through this journey.

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“The Revolt Against the Law” by Umberto Eco

I have been slowly working through Turning Back the Clock, a collection of essays by Eco. As I read this essay, there was a passage that really struck me.

… and, even before his guilt was decided, the masses in front of the TV were gloating over his humiliation and disgrace, as if watching a variety show in which the amateurs make fools of themselves. It was bad—bad for those who emerged innocent and bad for the guilty too, because the price they paid was higher than that called for by the law.

(Turning Back the Clock: p. 182)

As I read this, it dawned on me just how much, as a society, we do this here in the US. I confess that I have been guilty of this myself. When I hear that someone on the opposite side of the political spectrum has been “accused” of some wrong doing, I have been quick to use that to justify my pre-established conceptions about that person. People on the left do it with Trump, and people on the right do it with Hillary. We have gotten to a point in our collective culture where what we accept as the truth is that which supports the beliefs that we already have. It’s a dangerous place for us to be in as a society.

One of the reasons I read is because it allows me to reflect upon myself, and I am humble enough to recognize when there are areas where I can improve as a person. This is one of those areas. Now that I am aware of this tendency, I am going to try not to engage in it. I’m sure I’ll fall short, especially as Mueller forges on with his investigations, but it’s about progress and not perfection.

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Haunted Horror: #20

I’ve read several of these collections, and I always enjoy them. Basically, they are collections of old horror tales reprinted on the same type of non-gloss pulp paper used in the original publications. All the comics in this collection (there are six yarns in this issue) were all originally published in the 1950’s. Below the title page of each story, the original publication information is displayed.

What I find so interesting about these old comics are the moral issues that they address. Each of them has some issue woven in, and it seems that these were the types of issues that society was facing at the time: infidelity, greed, envy, loneliness, prejudice, etc. And while society is still grappling with these issues today, in the 50’s, society did its best to whitewash over them. But just as the decayed wood eventually starts to show through the white painted picket fence, so these issues began to show themselves in society. So graphic horror became a vehicle for society to safely examine these issues.

Just a quick mention about the writing and the artwork. They are both very much in the 50’s style. The colors and style of many of the drawings reminded me of the old Dick Tracy comics. And the language! I found myself chuckling internally at phrases like “’Good Grief” and “Great Scott.” But that is part of the nostalgia.

Hope you are enjoying the Halloween season! Cheers.

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